An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.
After the atomic obliteration of Hiroshima and Nagasaki, over 36,000 Australian men and women, part of the British Commonwealth Occupation Force (BCOF), marched onto Japanese soil. They were assigned the toughest and most dangerous area of Japan: Hiroshima Prefecture, which included the atom-bombed city. The Forgotten Force tells for the first time the story of Australia's role in Japan. Rare archival and private footage, photographs and eyewitness accounts from both sides vividly recreate the atmosphere of post-war Japan - the horror of Hiroshima and its aftermath; the struggle to build a new "democratic" society while under the heel of military rule; the growth from suspicion and fear to friendship and trust between foes.
We were just 15 minutes away from the end of the world. ABOVE ALL is a revealing short documentary about the life of an American man who ended up onboard with an atomic bomb, in the midst of the 1962 Cuban Crisis. The world was never been closer to nuclear war than this moment. A surprisingly heart-warming story told with his own words and pictures, the film is made from family home movies, including previously unseen footage from inside the US airbases. This film juxtaposes love, family and war through the arc of one man’s life. As President Kennedy addressed the world in a live televised speech of extraordinary gravity, we glimpse at the true psychology of what is was like to be in the air in those infamous moments, whilst the very essence of life on Earth was on the line.
Figli del Set
Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.
Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…
Le phénomène Godlywood : quand l'Église fait son cinéma !
Portentously portrays the evacuation of Portland, Oregon, when threatened by a nuclear attack on its state-of-the-art civil defense system.
The early days of the future genius of Spanish cinema Luis García Berlanga, from his birth in Valencia in 1921 to his departure to Madrid in 1947 to become a filmmaker.
The Captains' Summit documents the first time in Star Trek history that four stars who at some point have played Captains in Star Trek (William Shatner, Patrick Stewart, Leonard Nimoy, Jonathan Frakes) have been brought together for a 70-minute rare and unprecedented round table event. Whoopi Goldberg, star of Star Trek: The Next Generation, hosts the event.
In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.
They created and performed the iconic action sequences of 007, Indiana Jones, Superman, Rambo, Star Wars, Conan, the Alien films and pretty much everything since. They crashed cars, jumped from burning buildings, shot, stabbed, kicked and punched their way into cinema history. This is the first feature documentary to unite the legendary community of stuntmen in telling their story and, as you'll see, there's life in the old dogs yet.
An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.
Kua and Teriki will soon get married. They live on the distant Tureia island in the French Polynesia, Pacific Ocean and have just been told that something is wrong with their son Maokis heart. It is a consequence of living only 100 km away from the island of Moruroa, where France has tested 193 atom bombs for 30 years. Several of their family members are sick and Moruroa can soon collapse, which can lead to a tsunami likely to drown all of them. Vive La France is a personal and intimate story about harvesting the consequences of the French atomic program.
The order comes in the summer of 1941 from Propaganda Minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is retraced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards – that is the plan. Only in 1943, the first production is completed: “Armer Hansi”, a 17-minute-long colour movie, realized with the effortful multiplane technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, live action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the Third Reich.
The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.
A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.
The Men Who Brought the Dawn
Edgar Morin, chronique d'un regard