Brain and Machine

“Fear AI!” – “ warns Elon Musk back in 2014, joining other opinion leaders like Steve Wozniak, Noam Chomsky and Stephen Hawking in backing a petition against the development of autonomous weapons. As Vladimir Putin stated in 2017, “Whoever leads in AI, rules the world.”

Destroy All Humans is a documentary exploring AI’s rise in art and media through an existential, experimental lens. At its center is HOVERBORG, a fictional band whose AI-generated music sparked questions about creativity and authenticity. Through interviews with musicians, artists, and media professionals, the film reflects on the unsettling shift toward hyperpersonalized media and asks: In a world shaped by algorithms, will we still recognize ourselves in the art we consume?

This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.

Magical, autonomous, all-powerful… Artificial intelligences feed our dreams as well as our nightmares. But while tech giants promise the advent of a new humanity, the reality of their production remains totally hidden. While data centers are concreting landscapes and drying up rivers, millions of workers around the world are preparing the billions of data that will feed the voracious algorithms of Big Tech, at the cost of their mental and emotional health. They are hidden in the belly of AI. Could they be the collateral damage of the ideology of “Longtermism” that has been brewing in Silicon Valley for several years?

Garry Kasparov is possibly the greatest chess player who has ever lived. In 1997, he played a match against the greatest chess computer: IBM's Deep Blue. He lost. This film depicts the drama that happened away from the chess board from Kasparov's perspective. It explores the psychological aspects of the game and the paranoia surrounding IBM's ultimate chess machine.

El algodón y la sangre

The race for supremacy in the age of artificial intelligence is on: between the USA, China and Europe. Between big tech companies and start-ups. Who will win the competition? Will Europe be left behind? And who will determine a technology that will shape the future of humanity?

Platónico, platónica

Exploring the fallout of MIT Media Lab researcher Joy Buolamwini's startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.

New York-based tech company Clearview AI is working to identify and compile the faces of every human being on the planet. The firm claims that its database will serve as a force for good, helping to solve crimes and prevent espionage. But what if Clearview AI’s powerful facial recognition software, that could potentially be used for mass surveillance and profiling, fell into the wrong hands? What if it already has?

In 1772, Englishwoman Mary Delany wrote to her niece: “I have found a new way of imitating flowers.” The imitation in question was the art form called decoupage, based on cut-outs and reshuffling of pictures. The charm and botanical precision of these works attracts attention of even today’s artists, among others by an anonymous programmer who is trying to invent a way of capturing the flowers’ vivacity in pictures. With this aim in mind, she has created an algorithm, which would combine science and beauty, similarly to Delaney’s efforts, whose illustrations it is meant to animate.

With the rapid advancements in artificial intelligence, the line between humans and machines continues to blur, and everything is evolving at an astonishing pace as this technology offers tantalizing promises. However, some researchers, including 2024 Nobel Prize in Physics laureate Geoffrey Hinton, warn about its exponential power. A deep dive into the dizzying complexities of AI.

A journey into the world of artificial intelligence, to understand its operating logic and current and future applications. The TV program explains what AI is, its history, its current and future applications. It also illustrates the figure of Pepper, a humanoid robot that is the subject of important research at the University of Palermo. The TV program also talks about future developments of AI, the opportunities and possible social risks that it could entail: an aspect to focus on, both for the need to arrive at a correct algorithm, and to achieve an indispensable regulation of the sector.

Narrated by Oscar-winning actor Jeremy Irons, The Genius of George Boole assembles academics and industry leaders from across the globe to explore the life and importance of one of the world’s greatest unsung heroes.

Are we prepared for dealing with the prospect that humanity is not the end of evolution? Technocalyps is an intriguing three-part documentary on the notion of transhumanism by Belgian visual artist and filmmaker Frank Theys. The latest findings in genetics, robotics, artificial intelligence, bionics and nanotechnology appear in the media every day, but with no analysis of their common aim: that of exceeding human limitations. The director conducts his enquiry into the scientific, ethical and metaphysical dimensions of technological development.

La Fabrique à Idiots

A Trump supporter and election denier joins Georgia’s election board to expose fraud but, through conversations with a ChatGPT assistant and firsthand experience, he discovers the system’s surprising integrity — and realizes large-scale voter fraud is far harder than he believed.

Artificial intelligence is taking on different roles in the filmmaking space. The questions we must ask ourselves are: what are the pros and cons of this advancement? How can we work with it, and what power do we have as human beings in the face of this technology?

Composed of images and music produced with artificial intelligence, The Dream of Abel Gance explores the poetic imagination of filmmaker Abel Gance through his "crystal-house"—a hybrid space serving as a laboratory, film studio, and neural realm. Inspired by his writings on cinema, the film weaves a virtual temporality that allows us to envision the filmmaker’s forgotten utopias and dreams. The archive has become speculative, breathing new life into the long-standing promises of the Seventh Art.

Filmmaker Krishita Desai explores AI grief technology that lets people interact with digital versions of their deceased loved ones. Through families and experts, the film asks whether it brings comfort or complicates grief and healing.