Film homage to the great Spanish poet Federico García Lorca, in which they dramatize fragments of his poems and the play "La casa de Bernarda Alba". From his texts, the voice of the poet himself weaves the plot. His characters come to life: El Amargo, which runs from a poem taken from "El Cante Jond" to the "Romancero Gitano". The Woman, blurred and present in so many of his poems. The Mother, a living synthesis of his play-writing. The balcony is open from the hidden Granada to exciting New York. From the rider of tireless riding to the mysterious baroque of Holy Week. From the first babble of the poet to his violent death. Spain is behind its lyric. Also in many images and tensions of the film. The argument of this one wants to approach the argument of a poet. His life and his work, united irremediably.
The film is not merely a record of rehearsals, but above all an intimate look at the relationships between its individual protagonists. Nor is it a classic documentary, because the line between acting, creation, and recording reality is too thin. The film thus reflects not only the aging of outstanding actors, but also their relationship to today's world and their disappointment with the current state of Czech film and theater. It speaks to their fears, desires, and efforts to give their best.
French architect Jean Nouvel has long been known in Europe for his bold, shimmering glass museums, concert halls, and high-rise towers. Now the much-acclaimed new Guthrie Theater in Minneapolis, Minnesota, which opened in 2006, is displaying Nouvel's remarkable talents to an American public. With a cantilevered lobby that extends 175 feet over the Mississippi River, the dark midnight-blue, aluminum-paneled structure has captivated the culturally conscious city and helped spur the rejuvenation of a once-industrial waterfront. In the tour, Nouvel takes us through three distinctive theaters he designed for the Guthrie, and out onto the cantilevered deck to view the legendary river that inspired the boldly elevated design.
Le vison voyageur
Les chevaliers du Fiel : Camping-Car For Ever
Ma femme est folle
A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.
Les Voisins du dessus
The Tragical History of Doctor Faustus, to give it its full title, by Christopher Marlowe, was first published in 1604, at least twelve years after its first performance, although the basic story of the play is much older. Having decided he has accumulated all he can of conventional knowledge, Doctor Faustus turns to magic in a quest for greater truths. Before long, he ends up selling his soul to the devil – the famous “Faustian pact” that has entered everyday language. Dr Faustus gradually realizes his terrible mistake. He apparently repents, but finally dies, the devil coming to collect his soul, and his friends the dismembered body.
Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.
The hard-working cinema owners and operators of the small towns found in BC's southern interior are doing more than showing movies and selling popcorn––they are bringing their communities together.
Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.
The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...
Pavel Pavlovich Goryaev is not that young of an actor. For many years he plays in the provincial theater in leading roles. The director of a play based on a play that was written for Goryaev takes the young actor for his role. Goryaev at first falls into despair, leaves the theater, turns to friends. After a while he digests what happened and realizes that it is time to leave the stage with dignity.
Bruno and Florence invited Sophie and Alex for the evening, but nothing goes as planned between the successful author, the brilliant entrepreneur and their respective wives, two sisters. Contradictions, anxieties, bad faith and pettiness come around the table. A delightful cascade of incidents quickly transforms the family reunion into a crazy night where secrets, bottles and unsaid are shattered until the two couples, caught in an irresistible whirlwind, formulate the most unexpected.
A comedy musical stage version of the Phantom of the Opera, filmed live on-stage during a performance in Florida.
Early in the 20th century, middle-aged lawyer Fredrik Egerman and his young wife, Anne, have still not consummated their marriage, while Fredrik's son finds himself increasingly attracted to his new stepmother. To make matters worse, Fredrik's old flame Desiree makes a public bet that she can seduce him at a romantic weekend retreat where four couples convene, swapping partners and pairing off in unexpected ways.
Un fil à la patte
Fric-Frac
Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".