Being Impossible

A gritty story taking place in Stockholm, about the passionate love between the self-abusive Sebastian who wants to be a woman, and the easy-going Andreas who is certainly not gay.

When a Hong Kong teenager from a poor family wins a trip to Japan, he unleashes a chain of events that will soon bring him from his secluded fishing village to Tokyo. On the way, he connects with a barely competent tour guide and a gender-fluid pickpocket. Upon returning home with this merry band of schemers, he and his family of counterfeiters discover that a multinational conglomerate led by a ruthless Japanese developer has found the village, and is determined to raze it to build the new center of world trade.

Santa, a peasant woman loyal to the Revolution, is sent to guard Andrés, a gay writer who is under house arrest, considered “ untrustworthy” for his ideas and sexuality by the Cuban authorities. Set in a small village in eastern Cuba during the early 1980s, this poignant political drama depicts an encounter between two deeply thoughtful souls on opposite sides of a profound cultural divide. Both have experienced deep loss, and both know the damaging effects of isolation and oppression. Even so, the cavernous ideological divide separating them — the same one that has separated Cuban friends and kin for over 50 years — has until now seemed insurmountable.

Manu, a trans immigrant, must return to her native Chile after 10 years in France. In the days leading up to her departure, Manu’s platonic friend Daniel proposes marriage with the intention of solving her visa issues. Manu strongly considers the offer, but she’s wholly disheartened at the prospect of a life without love, romance, and sex—that is, until she meets a fellow foreigner who instills in her the hope for a romantic future.

21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.

Denny, a free spirit and artist falls for Ryan, a straight laced lawyer. When Denny questions gender their love is tested.

Ludovic is waiting for a miracle. With six-year-old certainty, she believes she was meant to be a little girl -- and that the mistake will soon be corrected. But where she expects the miraculous, Ludo finds only rejection, isolation and guilt -- as the intense reactions of family, friends, and neighbors strip away every innocent lace and bauble. As suburban prejudices close around them, family loves and loyalties are tested in the ever-escalating dramatic turns of Alain Berliner's critically acclaimed first feature. Winner of the Golden Globe for Best Foreign Language Film and a favorite at festivals around the world, this unique film experience delivers magic of the rarest sort through a story of difference, rejection, and childlike faith in miracles.

The films spans two decades as the story unfolds in a series of flashbacks that begin when Qiyue and Ansheng were just thirteen. The two became inseparable until they met a boy who ended up tearing their lives apart.

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

Darren vies for a promotion while facing sexism from his co-workers in a gender-swapped world.

A headstrong young girl in Afghanistan, ruled by the Taliban, disguises herself as a boy in order to provide for her family.

Zoya Diwan and her 8 year old son are stuck in an abusive marriage with her activist husband, when she is sought out for help by a victim of Triple Talaq

Sweet, chubby, theatrical Billy was never cut out to be a farmer or a rugby player, but as the only son of a ‘good kiwi bloke’ he’s obliged to try. The cows are stubborn and the chores gruelling but Billy finds escape in a fantasy world playing Lana, heroine of his favourite TV show Adventures in Space. Not everyone approves of Billy's transformation. On the brink of adolescene, he discovers growing up is more complicated than he could ever have imagined.

Duda and Bia, two long-term friends, haven't seen each other in 12 years. They both have a disturbing memory of Duda's 15th birthday party. The party ended in heartbreak and alcohol abuse. Now, in their 30s, the two meet again, in the same house where the party took place, to review their lives, facing all the twists and surprises from all the transformations they went through during the years they were apart.

Three poetic tales of seeking the true identity. In the first story, Jing, a blind singer, falls in love with her band's tomboy accordionist Diego. In another time and place, Lily, an elderly lesbian and Yen, her gay friend, create an unexpected bond and support each other in a time of crisis. Finally, we see Diego before she joined the band, when as a teenager she came to grips with her gender identity.

A storm is coming; the winds are getting strong. The real source of the ominous winds lies with Jina, who finds the strange word 'LingLing' written in her father’s notebook. She suspects he is cheating on her mother, who appears to be bored with life and fills the house with potted plants as if to show for her apathy. The film too is riddled with images of humid air and foul-smelling water, impure and overflowing. The sway of her father’s fishing pole and the flutters in Jina’s skirt seem perilous and unstable. When her anxiety and doubts finally come to a head, the family squarely face the rough downpour brought on by the storm. The director’s talent in boldly translating the characters desires and sensibilities into a narrative with powerful imagery is quite impressive.

A depressed wife and mother whose reality is starting to fracture into fantasy, drives her children to the beach. On the return journey she stops at a service station to fill up with petrol. Four mechanics eye her off and, as one of them walks towards her car, a full-blown erotic fantasy develops.

Borrowing its title from the William Carlos Williams poem of the same name, Nameless Spectacle revela in the beauty of ordinary life through themes of voyeurism, power, and sexual violence. Projected on two duelling screens the viewer is unable to focus on the parallel perspectives of the film’s dual perspectives.

Rye, a photographer, and Chris, a political science student, are in their final year of college, and have lived together in the same house for three years. While their bond has grown increasingly stale since first moving in together, they’re tethered by a common history and lingering grief; they know the house and its traumas in ways none of its few rotating tenants ever can. Set in the politically charged recent past at Hampshire College - an alternative school without grades or majors - the film's protagonists struggle with the demands of communal living and the concentrated emotions that come with it, against a backdrop of mass protests, long winters, creative passions, and armchair philosophy.

Would-be filmmaker Sophie left Africa for Canada as a child. After graduating, she films the daily doings as part of a summer job at a fair. When pointing the camera at herself, she reveals painful secrets from the past.