Vento di primavera
A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.
This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)
Two years prior to the opening scene, the nobleman Florestan has exposed or attempted to expose certain crimes of the nobleman Pizarro. In revenge, Pizarro has secretly imprisoned Florestan in the prison over which Pizarro is governor. The jailer of the prison, Rocco, has a daughter, Marzelline, and a servant (or assistant), Jaquino. Florestan’s wife, Leonore, came to Rocco’s door dressed as a boy seeking employment, and Rocco hired her. On orders, Rocco has been giving Florestan diminishing rations until he is nearly starved to death. Place: A Spanish state prison, a few miles from Seville; Time: Late 18th century.
Mozart and Da Ponte use the theme of "fiancée swapping", which dates back to the 13th century; notable earlier versions are found in Boccaccio's Decameron and Shakespeare's play Cymbeline. Elements from Shakespeare's The Taming of the Shrew are also present. Furthermore, it incorporates elements of the myth of Procris as found in Ovid's Metamorphoses, vii.[10] Place: Naples Time: the 18th century
Pelléas et Mélisande (Pelléas and Mélisande) is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's Symbolist play Pelléas et Mélisande. It premiered at the Opéra-Comique in Paris on 30 April 1902 with Jean Périer as Pelléas and Mary Garden as Mélisande in a performance conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music.
I、D、Z ~LEGEND "D" SU-METAL Birthday Festival (I、D、Z ~LEGEND "D" SU-METAL 聖誕祭; I、D、Z LEGEND "D" SU-METAL Seitansai) was a concert held on December 20, 2012, at Akasaka BLITZ in Tokyo, Japan. This show celebrated SU-METAL's 15th birthday.
I、D、Z ~LEGEND "Z" was a concert held on February 1, 2013, at Zepp Tokyo in Tokyo, Japan. The show concluded with the announcement of their next concert, LEGEND "1999", confirming the continuance of their group activities. SU-METAL had recently graduated from Sakura Gakuin, and there was much anticipation regarding her future endeavors with BABYMETAL.
"Saturday Night Square Dance" was released in 1949 as a Soundie. Featured here are Jim Boyd and His Men of the West. Jim Boyd was the brother of Bill Boyd, well known for western swing music, and this film combines some western swing music with calls. The footage shows some fine examples, like the styling sometimes called the Abilene Lift.
In this East German teen musical, a group of girls are planning to take their summer vacation together on the Baltic coast. When a loud and obnoxious group of boys intrudes on their holiday, the girls are horrified to learn that the boys have the same vacations plans as them. The two groups quarrel with each other and compete over a number of things, but gradually an attraction starts to form.
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.
Part Two of John Zorn's COBRA (see April 16 for Part One).
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
In honor of the 30th anniversary of the animated classic, this animated and live-action blended special showcases the fan-favorite movie, along with new musical performances, sets and costumes inspired by the classic story.
A likeable and talented underdog gets momentarily sidelined from chasing her musical dreams when her van breaks down in a welcoming small town just before Christmas.
Eddy Arnold, singing star of the Ace Lucky radio program gets involved when Ace's equipment for a television program is destroyed by a fire. Aces accepts the sponsorship of social-climber Lucille Upperworth, who tries to revamp the western/hillbilly music format to classical music.
The History of Acid Mothers Temple & The Melting Paraiso U.F.O., told through a collection of rare live performances. Disk 1 tracks the band through their first decade from 1998 to 2007 telling the ongoing story through rare live videos including the very early rare footage. Featuring many special guests appearances from Mani Neumeier (Guru Guru), Afrirampo, Yoshida Tatsuya (Ruins), Yamazaki Maso (Masonna), Kuriyama Jun (ex Ox), etc. Disk 2 includes a historic performance of "La Novia" with Occitan queen of song Rosina De Peira, "Pink Lady Lemonade" medley of the many different versions from 1999 to 2007, the 2004 version of "Dark Star Blues", the 1999 version of "Dark Stars In The Dazzling Sky (a.k.a. Blue Velvet Blues)" and exclusive interview with Kawabata Makoto. Also live clips of other AMT-related units like Acid Mothers Temple & The Cosmic Inferno, Acid Mothers Temple SWR, Acid Mothers Gong, Acid Mothers Guru Guru, etc.
Tanzalarm! Das Beste von Volker Rosin
An epic Love story in which two lovers Heer and Ranjha get along with each other but unfortunately their Love story is not easy. Ranjha fights his way to get Heer but he is not able to do so.