We Are Little Zombies

Bonobono: Kumomo no Ki no Koto was the second theatrical Bonobono movie, released by Amuse Pictures in theaters in Japan on August 10, 2002. It was done completely in 3D.

Hamburg. Baran, a Kurdish orphan, and Chernor, a refugee from Africa, are living in the shadows of a city that barely registers their existence. Bound by statelessness and survival, they carve out a fragile friendship on the margins, stealing glances of freedom in a country that denies them belonging.

Abadan lam nakon atfalan

"Ottamandaram" portrays a small family which consists of a fifteen year old Kala, her sister Neela and Neela’s husband Bharathan. Married for a long time, Neela and Bharathan still have no kids. Neela, driven by the ambition to raise a child, forcefully marries her sister off to Bharathan. Kala becomes pregnant but the things take a turn for the worse when Bharathan dies in an accident. Kala’s subsequent struggle to raise the child forms the core of the film. Based on a real story, Ottamandaram is scripted by renowned media person Ajay Muthana.

Stevie, a precocious 14-year-old girl must cope with the instabilities of her immoderate parents. When they decide to move to a small provincial town in Germany, Stevie attempts to slip into a normal life. Whilst her parents playfully escape their responsibilities, Stevie tries to make a good impression in town, spreading stories of grandeur and claiming to be the daughter of a diplomat. She makes progress. Yet the good weather doesn’t last and before long, she discovers that her parents have once more resorted to illegal means, as a way of supporting their leisurely lifestyle. As friends and hangers-on of her parents fill their new home, the chaos continually mounts. It is in this atmosphere of physical and emotional destruction, that Stevie must now start to define herself and perhaps even break free.

Five years after taking the fall for his younger brother, a tormented ex-con flees parole to find his kidnapped baby niece. One step ahead of the police, and one behind an unraveling criminal syndicate, he must once again sacrifice everything in the name of family.

A young man uncovers a disturbing truth about himself.

The film focuses on hot topics such as midlife crisis, family responsibilities, care for the elderly, and children's education. The younger brother; the grandson uses the metaverse technology to reunite the grandfather and the late grandmother; the naive and rich second generation undergoes destiny transformation in the countryside, and finds the value of life through friendship.

Chisato and Mahiro must pay four years of overdue fees or lose their membership in their assassin guild. They take part-time jobs, but find themselves in the middle of an armed robbery and being hunted by other assassins.

Till Mia

Action actor Tateishi Daisuke who struggles with loneliness after suffering a traumatic experience due to an accident during filming. One day, he comes across a senior high school girl Ayumi who is being harassed consistently by Chinese brokers and the local yakuza. He decides to protect her from them. However, after this incident, he comes to develop a mindset of seeing violence as a way to gain the affirmation and approval of others thus gradually loses himself and behaves in an extreme manner.

What happens when a generation's ultimate anti-authoritarians — punk rockers — become society's ultimate authorities — dads? With a large chorus of punk rock's leading men — Blink-182's Mark Hoppus, Red Hot Chili Peppers' Flea, Rise Against's Tim McIlrath — The Other F Word follows Jim Lindberg, 20-year veteran of skate punk band, Pennywise, on his hysterical and moving journey from belting his band's anthem, "Fuck Authority", to embracing his ultimately pivotal authoritarian role in mid-life, fatherhood.

Akira Tachibana is a soft-spoken high school student who used to be a part of the track and field club. Working part-time at a restaurant, she finds herself inexplicably falling in love with her manager, a divorced 45-year-old man.

A high school teacher, struggling to keep up with today's youth and estranged from his only son, receives the news about a terrible accident that left his son in a coma. Wanting to know more about his son's life, he finds out that he's been working as a producer for a new underground idol group who are now left without a guiding hand.

“After So Long // बरसों बाद” is a visual poetry set in Mumbai (India) and voiced by Simha and their parents to symbolise their connection with each other; a walkabout through time and memories. Directed by Varsha Panikar, the film takes inspiration from vintage-home-movie culture to create a contemplative and nostalgic vignette of an artist’s spiritual journey out of the darkness and into the light.

Harlem Fragments is an Afro-futurist scrapbook storytelling of a Harlem Black family's beautiful destruction during the 2008 recession. A natural disaster so mesmerizing you can't look away from the tragedy. Based on true events- The film explores the haunting societal pressures of achieving the Black American dream, told in the POV of 10 year old TJ revisiting his family's home that's up for sale. By empowering this Black boy in this film with the agency to imagine, TJ, through his own journey, finds a way to process and come to terms with his family's divorce. It's important for every Black child out there enduring the same foreign emotions to know that it's okay to feel them, and affirm that there is a future trajectory forward out of the initial destruction.

A young writer finds herself promoting her new book in a televised interview, but things are not what they seem when the interviewer starts to challenge her.

Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers around two 1960s students researching Osugi's theories.

Japan, 1860. The men of the Mito clan, victims of the Ansei purge, anxiously prowl around the Sakurada Gate of Edo Castle with the intention of assassinating Naosuke Ii of Hikone, tairō of the Tokugawa shogunate and responsible for their misfortune.

The story revolves around Maya (Sonia Agarwal), a college student, who always wants to triumphs in all her endeavors. She comes across a middle class youth, Cheenu (Srikanth), a happy-go-lucky-youngster, who strives to work hard to get his sisters married well.