Kamasi Washington - As Told To G/D Thyself

Three witches are trying to lower the water level in their flooded house. However, a dramatic incident occurs.

How had this floating street been formed? What sailors, with the aid of which architects, had built it in the high Atlantic on the surface of the sea?

Welcome to the Videos is a DVD released in 1998 featuring music videos made by Guns N' Roses between 1987 and 1994.

Two desperadoes in the middle of the Mexican desert, fall to the charms of a young barmaid, and use their skills in order to seduce her.

In a hat shop, a difficult lady customer, with her dog is looking for the perfect hat. The salesman does his best but the lady's jealous dog has other things in mind.

Covering a 35-year period between 1985 and 2020, ‘SMASH – The Singles’ works chronologically through the duo’s classic output, opening with their debut hit West End Girls and journeying through 2020’s Monkey Business. Select physical editions of ‘SMASH’ collect the duo’s videos on Blu-Ray for the first time, with a second disc containing bonus clips and lyric videos (including songs not featured on the audio tracklist), with a bumper 66 visuals presented in total. The remastered videos especially are a treat to behold, particularly from an act like Pet Shop Boys, for whom the image has always gone hand-in-hand with the music and serves to enhance the overall experience.

Recorded at Continental Airlines Arena in East Rutherford, New Jersey, on September 11, 1999, Dave Matthews Band's "Listener Supported" DVD presents the video version of the concert that became their fourth live album and was also broadcast on PBS' show In the Spotlight.

Weekend on the Rocks is a live album and DVD by Dave Matthews Band. It contains highlights of the four shows in four days the band performed at Red Rocks Amphitheatre in Morrison, Colorado on September 9–12, 2005. The set is packaged on two CDs and one DVD.

About a bat that could not decide whether it was a bird or an animal, and remained alone. Based on a Mongolian tale.

A quiet stroll through the imaginary world of Iblard, originally depicted in the paintings by Naohisa Inoue, influenced by Impressionism and Surrealism.

Televisions are noble, wild creatures living an idyllic lifestyle in their natural mountain habitat. They gambol and graze freely, entertaining each other with their vividly colourful visual displays. But what if they were rounded up and herded into the cities? If they were sold and rented out to anyone with the cash and desire for a video visual thrill? If their wild natural beauty was held captive and controlled by the push of a remote control button?

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

On Motunui, Maui tries to catch a fish with his magical fishhook, only to be comically foiled by the ocean.

On a tabletop mountain a mahout and his strange herd make a surprising and never-ending journey.

A baby polar bear searches for his missing mother, while a force much colder than the frozen tundra searches for him.

“Phantom Requiem" unfolds in the desolate expanse of an abandoned factory, where shadows and silence are the only remnants of a once-thrumming industrial heartbeat. In this spectral setting, a coterie of puppets emerges—ethereal figures, each step and gesture echoing the dissonant unraveling of a viewer ensnared in a psychotic fugue. Rendered in austere black-and-white, this stop-motion film marries the macabre grace of desolation with the intimate terror of mental dissolution, crafting a visual poem that is both stark and sublime

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

Sid the Sloth takes a school of children out on a camping trip from home, only to find that in typical Sid style, he is not a very good guide and the children he takes with him don't have a very good time.

'The Final RIOT!' is a live CD and DVD that documents the band in their most intimate moments on tour. On top of the all access documentary footage, an entire 15 song live set was filmed at the Chicago stop of The Final RIOT! Tour, for what the band has called their 'best show ever.' Join millions of Paramore fans around the world as they experience 'The Final RIOT!'

In Eshbaugh’s ‘political’ animated cartoon world, the Democratic platform is destroyed by its own swallowing of the NRA (National Recovery Act), sending the Donkey representing the party into a dizzying disastrous bucking fury (thanks to a ‘liberal’ added dose of Russian vodka).