Self Made Cameraman

A Midwestern ingenue arrives in Hollywood to try her luck as an actress. An incompetent agent hooks her up with a production company which specializes in low budget B-movie fare, which starts being plagued by strange, deadly accidents.

On April 1, 2002. four corpses are discovered in the apartment of struggling filmmaker Sam Epstein. Flashback - one year earlier: fledgling director Epstein embarks on his first feature film with high hopes, but selfish backstabbing roommates, a drug-addicted crew and Murphy's Law rapidly drain his funds as production grinds to a halt. Determined to regain control, Sam turns to "Magic For Morons" and asks Satan for help. He is promised success, but the spell demands a human sacrifice. Will his burning desire to finish his independent film drive him to the ultimate act - cold-blooded murder?

Film director Jeff and his lead actor are taking their time getting to set. In their absence, the crew lack a purposeful way to spend their time waiting, so they drink heavily. However, as booze is downed and frustration sets in, morale hits rock bottom.

A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family".

Cemetery caretaker Burke Sawyer and his deceased father, Pop Sawyer, team up to investigate a creature feeding on the dead underground.

Two friends work together to follow their passion of filmmaking, but as their journey progresses, their friendship falls apart into a sloppy mess.

Lonely college student Alex encounters his favorite filmmaker, JP Smith, stalking around his sleepy town in upstate NY. Together they form a precarious relationship, with Alex becoming the star of JP’s latest flick.

Two young filmmakers spend time together, talking and searching for an idea to make a film. As their conversation unfolds, imagined stories quietly appear and disappear, blurring the line between thought and reality.

Fifty-year-old Barry is a special kind of cleaner: he cleans crime scenes where demons have wreaked havoc. While making a corporate film about his work, a normal working day for Barry gets out of hand in a bloody way.

A discussion between John Cleese, Michael Palin, Eric Idle, Terry Gilliam and Terry Jones about their film The Meaning of Life.

"Blood Effects" a mockumentary by film maker Kris Black, is a cross between "Paranormal Activity" and Christopher Guest's "Best in Show". Presented as a "movie-within-a-movie", veteran Bruce Reisman produced Black's scathing satire of Hollywood horror movies, where reality ties itself up with fantasy, and the results are both humorous and horrifying.

After writing for Cahiers du cinéma, young Godard decides making films is the best film criticism. He gets Beauregard to fund a low-budget feature, creating a treatment with Truffaut about a gangster couple.

Sue Graham is a small town girl who wants to be a motion picture star. She wins a contract when a picture of a very pretty girl is sent to a studio instead of her picture. When she arrives in Hollywood, the mistake is discovered and she starts working in the props department of the studio instead. Her parents then come out to California and invest some money with a very shifty individual.

Born from the fairytale of Alexei Tolstoy, a lively story about a curious tree boy Burattino who gets into an unexpected adventure.

Max Boden, an ingenuitive desert naturalist, is trying to stop the construction of a copper mine on the outskirts of 1939 Tucson, Arizona. Through a series of arduously comical trials, Max learns to use a small motion picture camera to capture images of the unique local flora and fauna that would be destroyed by the mine.

In this dialogue-driven, "second coming of age" comedic drama, Felix has all but given up on his pursuit of becoming a filmmaker when he meets Stella, a down to Earth, chain-smoking cinephile, whose unexpected friendship inspires him to start writing again–and falling for her. Never hesitating to take steps outside of reality through the use of movies within movies, found footage and action sequences, Mountainside is also a love letter to film itself.

When a Hollywood star mysteriously disappears in the middle of filming, the studio sends their fixer to get him back.

Facing expulsion from college over a misunderstanding, a bipolar student indulges his misery at a strip club where he befriends a gorgeous, intelligent, outrageous woman and they hatch a madcap scheme to prove his innocence.

Tony has recently been released from a sentence for violent behaviour. He promises to improve his ways and is finally granted a few hours alone with his two children. They celebrate the reunion by going to the movies to see a new film by the famous, critically acclaimed Danish director Claus Volter. But the film is not the masterpiece it is said to be on the poster; the children are crying and Tony cannot get the money back he spent on tickets and candy. Tony does not give up; he seeks out Claus Volter in order to get an explanation and a refund. It is however easier said than done to get money out of a world-renowned filmmaker.

And On That Day, written and directed by John Henry Soto, is a quietly powerful short film about what happens when a lifetime of silence reaches its breaking point. Robert has spent thirty years doing what’s expected—showing up to work, keeping his thoughts to himself, and living within restraint. On his final day before retirement, a simple farewell speech becomes something far more personal, carrying the weight of decades of unspoken truth. Soto trusts subtlety over spectacle. Small gestures, pauses, and expressions create tension, allowing the audience to feel the pressure of time closing in on a single moment. The performance feels grounded and human, making Robert instantly recognizable rather than dramatic or idealized. Clean visuals and measured pacing mirror Robert’s inner state, letting the film’s final moments resonate naturally. At its core, And On That Day asks a timeless question: what do we lose—or gain—by staying silent for so long?