Neujahrskonzert der Wiener Philharmoniker 2019

New Year's Concert 2018

New Year's Concert 2020

Neujahrskonzert der Wiener Philharmoniker 2017

Swan Lake performance featuring Agnes Letestu, Jose Martinez, Karl Paquette, and Muriel Halle The story is adapted from an old Russian folk tale. Princess Odette (Gillian Murphy) is captured by the evil sorcerer Rathbart (Isaac Stappas) and cursed to be changed into a swan. Young Prince Siegfried (Angel Corolla) is being pressured by his mother (Georgina Parkinson) to find a bride. Irritated, he runs out into the woods and finds Swan Lake, where Odette has become queen of the swans. He learns that only by someone swearing eternal love to her can the spell be broken, and he does so. At a ball, numerous princesses are paraded before the prince, who shows little interest. But when Rathbart, in human form (Marcelo Gomes), arrives with his daughter Odile (Murphy), enchanted to resemble Odette, Siegfried is deceived. Swearing love to Odile, and betraying Odette, he may have condemned her to spend the rest of her life as a swan.

Music/Musical - Two concerts from the late Bill Evans and his trio are captured on THE OSLO CONCERTS. Evans released more than 50 albums, and his piano playing lit up the jazz world and garnered an impressive following. - Bill Evans

In order to save their home, tenants of a boarding house put on a show.

Music/Musical - Historical footage of both music legends as they play their way through their most memorable hits. - Webb Pierce - Actor, Chet Atkins - Actor

Chris Isaak begins his third decade as one of the most distinctive recording artists- and the epitome of modern cool-with his first career-spanning retrospective.

Frank Sinatra: In Concert at the Royal Festival Hall was an CBS musical television special starring Frank Sinatra broadcast on February 4, 1971, of a concert given by Sinatra at London's Royal Festival Hall on November 16, 1970. The special was directed by Bill Miller, and produced by Harold Davison. Sinatra was introduced on stage by Grace Kelly. Kelly had starred alongside Sinatra in the 1956 film High Society, the last film she made before her marriage to Rainier III, Prince of Monaco. Sinatra had been follicularly challenged for many years, hence all the hats in publicity stills, album covers etc. TV directors were forbidden to photograph him from the back because of this. However, at this concert, Sinatra had completed a very successful hair transplant and deliberately turned his back on the main audience a couple of times to acknowledge the audience sitting backstage, along with running his hand over the back of his head to draw attention to his new coiffure.

Filmed in front of a live audience on a soundstage in Hollywood, but with the feel of an intimate concert, this "comeback" special proves the Chairman hadn't lost a step.

Charged with the electricity of a heavyweight prizefight, " The Main Event " was filmed live at Madison Square Garden, a venue usually reserved for sporting events and rock 'n' roll concerts. Sinatrra dazzies the crowd with contemporay numbers as " You are the Sunshine of My Life ", " Let Me Try Again " and delivers the knockout blow with signature tunes " My Kind of Town " and " My Way ".

In 1965, Glen Campbell was a session guitarist and singer from Arkansas who had played and sung on countless surf, hot rod, and sunshine pop records that labels and studios in California were issuing in the mid-'60s. After he filled in for Brian Wilson as a touring member of the Beach Boys that year, the Beach Boys' label, Capitol Records, offered Campbell a solo recording contract, which paid off two years later when Campbell's pop-folky country version of John Hartford's poetic and tumbling "Gentle on My Mind" hit the pop charts. Campbell's solo career was on the way, and the rest, as they say, is history. This collection features live performances from Campbell captured between 1972 and 2001, and includes versions of all of his classic hits, as well as bonus tracks of Campbell duets with Wayne Newton, Anne Murray, Seals & Croft, Helen Reddy, and others.

An attempt to escape the loop of day-to-day life and the loop in my head. To get out, to get off, to stop the obsessive need to create for a minute. Is it possible at all?

In an increasingly crazy world, Lino, who has decided to leave everything behind, will come to realise that, at the end of the day, everything that happens to us is for our own good!

A portrait of musician and artist Peter Doherty as he tries to pursue his musical career while battling his addiction. Torn between the needs of his inner life and the demands of the outside world, Doherty dares to face all the demons to overcome this misunderstood disease.

Zahia Ziouani, 17, dreams of becoming a conductor, while her twin sister Fettouma hopes to be a professional cellist. They want to make classical music accessible to everyone and create their own orchestra.

Exit...Stage Left was filmed in Montreal Canada during Rush's 1981 World Tour that encompassed Canada, the United States and Europe and reached a total audience in excess of one million people. The footage incorporated the output of five separate 16mm cameras, both hand-held and stationary, which operated in front of the stage behind a barricade, and in various strategic onstage locations. During the performance at the Montreal forum, the audio was recorded by Le Mobile, with Terry Brown and Guy Charbonneau at the controls. The audio was then digitally mixed at Le Studio in Morin Heights, Quebec, where Moving Pictures, Permanent Waves, and Signals were recorded and mixed. The result, the Exit...Stage Left movie (a different performance than that found on the live Exit...Stage Left album), represents one hour of highlights from Rush's two hour stage show, visualizing material from their albums Moving Pictures, Permanent Waves, Hemispheres, and A Farewell to Kings.

Whilst Rush have always been considered one of Rock's greatest hidden treasures, with complex, intricate musicianship, it can never be said that Music Video was their forté. With this collection of 'hit' videos from Rush we can see why. Almost befittingly, Rush's best videos appear to be those that simply demonstrate their playing. Studio footage of Rush is rare and welcomed on this DVD.

For a band with high standards, a perfect show is impossible, and an excellent show is rare. You hope that the norm is "good". To deliver a really exceptional, comfortable performance before a recording truck or film crew has been our unfulfilled dream of many years. Always it seemed that as soon as the machines started rolling, we forgot how to play and our equipment forgot how to work. But for these two nights, the gods smile. And the film becomes not just a concert, but a symbol - for the band a scrapbook, an autobiography, an era frozen in glacial clarity. For the audience, it can be an enduring souvenir, and if it can't quite capture what it was like to be there, it is a way of seeing through many pairs of eyes, of shifting one's vantage-point around and above the players in a way no mortal could. Hands perform, and hands respond. Hands gesture, and hands respond. A show of ears and eyes, a show of hearts and minds. A Show of Hands. - Neil Peart

R30 captures the band's $21-million grossing, sell-out 30th Anniversary World Tour and was filmed with 14 hi-definition cameras in 16x9 widescreen format at the Festhalle, Frankfurt Germany on September 24, 2004. The set list spans the band's diverse 30-year career, and includes fan favorites "Xanadu," "The Spirit of Radio," "Working Man," "Tom Sawyer," "Subdivisions," "Earthshine," "2112," "Limelight," "Between the Wheels," which hasn't been performed live in 20 years as well as tracks from 2004's covers EP Feedback, including "Summertime Blues" and "Crossroads." Most of all eighteen studio albums are well represented through a non-stop energetic set of 22 electrifying songs.