Breakdowns of 1944

Fed up with the violence and bullying in her city, Sydney dresses up like a bee to fight crime, but to reach her full potential she must first overcome a tragic event from her past.

In school, 9-year old Julian gets into trouble for squealing a bully and therefore disturbing class.

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

A portrait of Łódź, Poland that exists in a time-warp of sad memory.

A film documenting the landscapes of northern Iceland.

The then unknown Jennings and Andrew Larbi made a little film called One Cold Eskimo, which aired on the television series Takeover TV, produced by World of Wonder for Channel 4 in the UK. Takeover TV was a show that invited viewers to send in their curious, weird, or dumbfounding videotapes for possible airing. One Cold Eskimo is all of that.

Ferdinand is trying to cope with the breakup with his girlfriend.

A writer taking a rest in a country hotel is obsessed with a strange woman in the same hotel. The woman seems to observe him in provocative ways, but he does not dare to approach her. One day he follows her to her room and listens to strange “erotic” sounds from inside, and begins to have erotic thoughts.

A man ran into a woman on a street. She was not attractive, but was a perfect girl for him. After missing the chance to talk to her, he contemplates on how he should have approached her.

On a planet trapped in black and white, a strange comet crashes—transforming young intern Vector into the first being in Technicolor. Under the guidance of the brilliant Dr. Molecule, Vector becomes the center of awe, fear… and a cosmic decision: remain in a world that can’t accept him, or follow the comet to a new one. A retro sci-fi tale with B-movie flair, vintage visuals, and a burst of color that changes everything.

Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.

Twenty-one-year-old Julia had to leave her daughters under the care of a children's shelter house. Five years later, Julia keeps fighting to rebuild her life and get reunited with her daughters.

Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

Anna, a 10-year-old girl, runs away from home after an argument with her mother and finds herself being pursued by Shocker. After managing to hop onto DenLiner, the train that crosses time, she gets off in 1989 and has a great adventure with Momotaros and others.

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.

After receiving the key to the city for their heroic efforts, Rocket J. Squirrel notices that Bullwinkle falls in love with a robotic moose. Unbeknownst to him, inside the moose is Boris Badinov, who, along with Natasha Fatale and Fearless Leader, are carrying out another plan to eliminate Rocky & Bullwinkle.

After experiencing her first heartbreak, Anais declares war on all the boys in 6th grade.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)