Queen of Gropers

Kyoko and her friends hold pachinko lessons for amateurs. The Gintama Alliance, a group of pachinko pros, are not happy with them. One day, a man named Ozaki Kenzo, who claims to be a lawyer, appears at Kyoko and her friends' office.

"Groper Train" pink film distributed by Shintoho.

One of legendary "pink" director Hisayasu Sato's first of over 50 examinations of love and sex among the dregs of society, this downbeat picture deals with a sleazy rapist (Taketoshi Watari) who starts a doomed romance with a sullen teenage reject.

This film explores the lives of several disenfranchised urban residents, including a woman whose sole companionship comes from her erotic attachment to a mannequin, a man hired to rape women, and other assorted victims of urban alienation.

Today marks the thirteenth anniversary of Takashi's father's death. Even though the time for the memorial service is fast approaching, Takashi and his wife, Mio, are consumed with desire and devour each other while still wearing their mourning clothes. The memorial service was held simply at Takashi's brother's home, with only his wife, Misako, their university-aged son, Masaki, and Mio and his wife present. Mio quietly places her hands together in prayer in front of the portrait of her father-in-law, whom she has never met...

Semi-dokyumento: Hakuchû no henshitsu ma

This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.

A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.

Cult filmmaker Hisayasu Sato's second comedy of the year, this silly softcore effort stars pretty Nao Kikuchi as a young married woman who takes a job at a call-girl agency with the mistaken belief that it is a maid service. After she is raped on her first assignment, Kikuchi is understandably shocked, but quickly warms to her new career and becomes quite the professional. Unfortunately, her husband soon discovers the true nature of her work.

A married couple enjoy engaging in S&M sexual behavior, and the wife, Yuri, asserts, "The ultimate SM play is death." After her husband dies, supposedly accidentally, Yuri is left alone, grieving and self-destructive. Her mental state deteriorates as she watches and masturbates joylessly to the home-made SM videos she made with her husband.

An embittered young man who draws no physical pleasure from sex starts a club for his friends, luring young women into violent rape and torture by charming them over the Internet. Eventually the angry sister of one of the girls takes revenge.

A deranged doctor lives in an abandoned hospital together with his wheelchair-bound daughter. Frustrated by normal women's perceived imperfections, the doctor kidnaps them and subjects them to sadistic tortures to turn them into subservient women for his childlike daughter to play with.

A high-school girl with paranormal abilities becomes the center of a bizarre cult which believes her to be a divine idol. In fact, she's a maniac, prowling the streets with a male slave to rape and murder innocent victims.

Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.

The plot deals with an alienated high-school girl who is rescued from a suicide attempt by a male student who can only achieve orgasm by pleasuring himself with women's underwear. Intrigued, the depressed young woman taunts him into raping her various female enemies by sending him secret e-mails.

A standard pinku-eiga entry from prolific cult director Hisayasu Sato, this softcore melodrama centers on a successful female magazine editor with a handsome fiancé. The good-looking, successful couple seems to be the picture of happiness, until the young woman meets a kinky dentist who helps her to discover the pleasures of pain.

A young woman was on the train heading to a seaside guesthouse to enjoy a relaxing summer vacation. She was molested on the train. When she arrived at the guesthouse thinking that it was the start of her unlucky vacation, it turned out to be an old-fashioned inn run by a widow. On top of that, the previous guests, an adulterous couple, were in the middle of sex, yelling loudly, not caring about the sea. The widowed landlady was masturbating while peeking at them. It was even more unlucky. She became depressed. Then a new guest arrived. She was surprised to see the man. It was the molester from the train earlier...

One day, when a vacancy opened up at the boarding house, an ostentatious move began. An elderly man arrived in a luxury car and directed the movers as fine items—luxurious bedding, a paulownia wood wardrobe, and other furniture—were hauled in. The new boarder turned out to be Ayamaro, the legitimate heir of the former noble Ura Komichi family. Perhaps due to his aristocratic upbringing, he just couldn’t quite match everyone else’s pace.

Semi-dokyumento: Shinjû sex go jû-nen-shi

Sukyandaru: Etsuraku no hada