Nick Zedd

Paul Mills is a miserable, lonely man leading a meaningless existence in a nameless city and has visions of the Spirit of Death waiting to collect him while having encounters with various people while seeking solace for his short life knowing it will end soon. Shadows in the City was the last major work of New York’s 1980s No Wave film scene. Shot over seven years in Manhattan, Brooklyn, and Queens, painter-performer Ari Roussimoff’s only fiction feature captures the urban desolation of the city in the decade before gentrification.

Zedd plays dual roles in this short-film as a street-wandering guy and a suicidal female.

After a family tragedy, a young woman finds herself homeless and living on the streets of New York.

Zedd is minding his business, when he is stopped by a cop who accuses him of being a junkie. After a short argument he is beaten and dragged to the police station. At the station he is interrogated by a detective (Rockets Redglare) and the police chief. After being beaten and tortured several more times, Nick Zedd's character mutilates himself with some hedge cutters.

Zedd plays D.B. Shane, a dead star who visits a fan in her dreams, kisses her then kills her.

Shot entirely in Ireland and England on film stolen by Nick Zedd, the movie offers a rare glimpse into the unique private world of Lydia Lunch; The footage "narrated" by a break-up cassette sent from Lunch to Zedd.

Zarathustra spends his days in his NY apartment, talking to and confiding in a pin-up on his wall, and on this occasion his delusional dialog with the porn idol results in his declaration that he must ‘descend’, as if being reluctantly chosen for some important or divine mission.

Discover the New York underground scene during the 80s and throw yourself into an exciting, anarchic and repulsive world that you won't forget.

A portrait of Rockets Redglare, the morbidly obese fixture of New York's underground until his death in 2001. Rockets was the sometimes bodyguard/drug dealer of Sid Vicious and Jean Michel Basquiat, as well as a talented stand-up comic and character actor who left his indelible mark wherever he went. This film chronicles Rockets' last days, hunting for methadone in Puerto Rico and telling stories from his past.

Set in the future, this tells of an Earth run by a conglomerate called the LaFont Corporation, which uses machines to rule its subjects. "Troublemakers" and malcontents are exiled to an artificial planet called Terra Nova. Problems arise when Terra Nova suddenly shifts its orbit and threatens to crash into Earth.

Short movie by New York photographer and cinematographer Richard Kern.

The apparent strangeness of two sisters becomes easily understood as they wreak appropriate revenge on one of their abusive husbands, by tying him up and imprisoning him on their rooftop. They slowly descend into madness as Stark wraps her head in bandages and paints her face white while clutching a baby doll.

A scattershot documentary about punk rock film makers in New York, with contributions from Lydia Lunch, Henry Rollins, Richard Kern, Beth B, Nick Zedd and many others. A love letter to the New York Underground.

A bizarre adventure in which a young boy is chased by a masked phantom holding a severed arm in a graveyard. A man with one arm appears and is handed the severed arm by the phantom. Then a giant woman appears enveloping the boy. An unsettling and delirious apocalyptic atmosphere pervades the movie, designed as a trailer for a "film of the future."

Oddballs dancing, leering at camera, guy shaving a nontraditional part of his body and man ripping his own throat out, woman stabbing herself to death.

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

In the unsettling, absurdist SIMONLAND, a grotesque, televangelist-style demagogue leads his studio audience and isolated viewers through a psychotic game of Simon Says with twisted results.

A series of short films by Richard Kern: Stray Dogs, Woman At The Wheel, Thrust In Me, & I Hate You Now.

In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.

A 16mm narrative short shot in New York with Nick Zedd and Warhol superstar Holly Woodlawn.

A woman takes each of her boyfriends - one poor and one rich- for a drive in her new car. Each argues with her and insists on taking the wheel. She beats one of them up, before crashing into a group of youths and, finally, a wall.

Submit to Me

A junkie wakes up on the streets and walks around, seeing a woman dressed in all white and a heroin addict shooting up.

Nick Zedd's controversial and disturbing WHOREGASM is a twelve-minute barrage of sexual loops interspersed with bits of found footage, dizzying opticals, and outtakes of Zedd's own POLICE STATE. The sex scenes, most which appear to be taken from old 8mm stag reels, are edited in such a way that makes the act of sex seem impersonal, mechanical, and altogether vile.

The paintings of Nick Zedd come to life, and they have some disturbing things to say in this animated short.

A documentary on the career of filmmaker John Waters. Featuring interviews with actors and fellow film-makers. The life and death of the actor Divine is also discussed.

Reveals the extreme measures lawmakers and critics go through to censor avant-garde artists, who walk the fine line between art, perversion, religion and devious sexual behavior.

A docu-comedy feature film about a once-famous millionaire "business artist" forced to confront his own legendarily obnoxious behavior, while trying to find love through fame.

Not a documentary in the strictest sense of the word. Rather, it is a journey through the world of the artist Jonas Mekas - one of the exponents of independent U.S. movies; founder and director of the New York Anthology Film Archive.

In search of his sister, a renegade criminal seeks answers at a sordid hotel where he encounters a sinister guest and romances a mysterious waitress.

Jonas Mekas films the Halloween festivities at Anthology Film Archives in 1990.

In a pseudo sci-fi trip of pornographic proportions. In Other People's Mirrors, the camera feels like an extension of the unstable characters it is following, taking on a near-home-movie style documentation of street performance and improvised art. It centers around the journey of Echo Transgression, a schizophrenic sex addict, who believes that if she follows the instructions being transmitted directly into her spine, then she will escape to her own version of nirvana. Underground legend Nick Zedd plays the alien phantom of Narcissus, a secret agent who makes sure she stays on course.

Set in a post-apocalyptic future, the story finds a handful of ragged survivors attempting to communicate with dolphins, while another cadre of survivors have made it their crusade to destroy all the world's religions.

A young hipster wannabe-superstar dj, Phil, takes on a day job at a telemarketing company, working with crazy people, ex-prisoners, drug addicts and murderers. The time on his life begins to tick as he battles addiction, fights the law and tries to maintain the only sane thing left in his life, his girlfriend, Christine.