King of Sex

Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

A Pop Art extravaganza by Fred Mogubgub from the late-1960s, innovative in the use of the quick cut, this film is a parade of pop icons of its time. Features a pre-Playboy, pre-N. O. W. Gloria Steinem.

This short film documents Australian composer Richard Meale’s homage to the young French poet, Arthur Rimbaud. Meale composed a music piece for woodwind, percussion and strings which he titled “Incredible Floridas”.

[…] A reel was shot of the Noh drama Momiji-gari (Maple Leaf Hunters, or Viewing Scarlet Maple Leaves), in which Danjuro played opposite Onoe Kikugoro V (1844-1903) as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives. (cont. http://victorian-cinema.net/danjuro)

A clip-show music video for the album of the same name and vintage. Includes 5 songs from the album ("Mousetrap", "Disco Mickey Mouse", "Watch Out For Goofy", "Macho Duck", "Welcome To Rio").

Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.

This is an animated version of Yanase Takashi's picture book featuring the friendship between a mother dog, Muku-muku, who lost her puppy, and the baby lion Buru-buru, who lost her mother.

Lucy, a young Victorian woman in the Old West, is being tormented by nightly visits from an incubus. Her friend Madeleine tries to console her, but is unable to help. A fallen woman, Lucy gets a job singing at the local saloon. However, the Incubus has followed her there; and things take an unexpected turn as Lucy and the Incubus, amidst the rowdy cowboys and saucy can-can girls, have their final showdown.

This animated short follows an unwanted baby who is passed from house to house. The film is the Canadian contribution to an hour-long feature film celebrating UNESCO's Year of the Child (1979). It illustrates one of the ten principles of the Declaration of Children's Rights: every child is entitled to a name and a nationality. The film took home an Oscar® for Best Animated Short Film.

A group of stable hands is given a race horse when its owner retires from the business. They raise money to run the horse in the Hollywood Derby at Santa Anita race track. Many Hollywood personalities attend the event.

A group of African-American waiters on a railway believe they have made a deal to secure a railroad dining car that they set up on Wilshire Blvd. in Los Angeles as a diner. To bring in customers, they sing, their voices providing most of the musical accompaniment as well. At the diner, in front of a crowd of swells, the police deliver the bad news.

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

A short animation based on the Edward Lear poem

Flannery, a railway agent does everything by the book. He gets into a scrape with a customer, McMorehouse, who wants to pay 44 cents freight for two guinea pigs which he considers pets. Flannery, however, considers them pigs (freight 48 cents), a decision he begins to regret when the animals begin to reproduce.

Night in an old mill is dramatically depicted in this Oscar-winning short in which the frightened occupants, including birds, timid mice, owls, and other creatures try to stay safe and dry as a storm approaches. As the thunderstorm worsens, the mill wheel begins to turn and the whole mill threatens to blow apart until at last the storm subsides.

Garfield, Odie and Jon go vacationing on a tropical island along with the High Rama Lama of rock and roll, a princess and her cat - and a rumbling volcano.

Edna's grandfather is a conductor of a small orchestra that gives concerts in the park every Sunday. Because of lack of audience the city officials want to cancel these concerts. To stop this from happening, Judy and Edna gather a crowd the following Sunday; and to keep its attention, they themselves perform with the orchestra. Edna sings an aria and Judy sings 'Americana'.

Fight for Your Right Revisited stars Danny McBride, Seth Rogen, and Elijah Wood as the "young" Beastie Boys from the past and Jack Black, John C. Reilly, and Will Ferrell as the "old" Beastie Boys from the future. The story begins where the video for "Fight for Your Right (1987)" ended. It features music from the band's album Hot Sauce Committee Part Two.

Mickey guest-directs a radio orchestra. The sponsor loves the rehearsal, but come the actual performance, Goofy drops all the instruments under an elevator, so they sound like toys. The sponsor hates it, but the audience loves it anyway.