Tatsushi Ōmori

From the late 1950s through the '70s, more than 90,000 of the ethnic Koreans in Japan emigrated to North Korea, a country that promised them affluence, justice, and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonho’s younger sister Rie is at the centre of the film, and is not hard to recognise as the director’s alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life, and how, at age six, she experienced the departure of her three older brothers, who left their family for Pyongyang.

Yuka is staying at hotel Seaside in a Japanese resort. She is alone and bored, so she gets something going with the night porter.

The bittersweet events in the lives of people in Hakodate, a regional city connected by a streetcar network. A laid-off man and his younger sister go up a mountain to see the first sunrise of the year. Meanwhile, Haruo has inherited his family's gas business, but things aren't going well in his new endeavor and he becomes increasingly frustrated.

Little Duck chronicles the life of a young man pulled from his life in Manhattan back to his home in rural Japan when his estranged brother runs into trouble.

In the wake of the social unrest caused by the 1923 Great Kanto Earthquake, two female sumo athletes, Kiku and Tokachi, and an anarchist group called the Guillotine Society, spark an unlikely connection.

Fu and Suzu are two pretty anarchist girls who decide to take to the road. They set off on a journey to visit the tomb of a small pig by name Pupu. On the way, they meet Suzu's ex-lover, a gay couple, and a golf player; always getting in trouble. But whenever trouble comes, 'Trunk Man' the hero appears to save them.

The fifth work of the "Kita-Shirakawa school movie" in which a student of Kyoto University of Art and Design, a professional film staff, and a cast team up to make a film. With a certain big disaster, people are struggling for love while holding their own circumstances, and as a result, they ask what it is to "live correctly" even in a vague and uneasy era. Ittoku Kishibe played Yanagida, the protagonist of the protagonist who created and exhibited objects that incorporate radioactive materials to create and display indiscriminate terrorism.

In the black market, a war orphan is confronted with the struggles of people living in the immediate aftermath of WWII.