Sister Bliss

Faithless, playing live for the 2010 iTunes Festival at the Roundhouse in Camden, London.

Despite continual demand for a live release, the band were determined to wait for the perfect venue and Alexandra Palace, London, was the one. Recorded on April 30th, 2005 at one of their sell out London shows there, this release sees the culmination of 10 years of Faithless hits; anthems that have shaped and defined dance music in the UK around the world and sold in excess of 14 million records.

On 2 July 2005 an estimated 3 billion people came together in the fight against extreme poverty. LIVE 8 - 10 concerts featuring over 1000 musicians from across the globe - asked people not for their money, but for their voice.

During the weekend of 22, 23 and 24 July 2011 (BELGIUM, ANTWERP, BOOM), more than 180,000 visitors attended one of the most beautiful and talked about festivals in Europe. The 7th edition of Tomorrowland was one that would never be forgotten. An amazing festival, a magic location, wonderful decor, more than 250 artists and in particular the best public in the world! You can relive all of this now with the Tomorrowland after movie 2011.

CD duration is 72:46. Live From Brixton Academy 8 April 2011. Approx DVD running time: 137 minutes. DVD9/Picture format 16:9 / NTSC Region 0 Audio: Stereo & 5.1 Surround Sound Comes in a digibook.

In 2006 Faithless released their fifth studio album "To All New Arrivals" Successive world tours have enshrined their popularity all over the globe and this is clearly evident as they delight their Moscow fans as part of this Greatest Hits Tour. Traklist 1 Sweep 2 Insomnia 3 Emergency 4 All Races And Colours 5 God Is A DJ 6 Bring My Family Back 7 Mass Destruction 8 Everything Will Be Alright Tomorrow 9 What About Love 10 Bombs 11 Drifting Away 12 Music Matters 13 Miss U Less, Miss U More 14 I Want More 15 We Come 1 16 Muhammad Ali 17 Salva Mea

Radio 1's Big Weekend

Never Mind the Buzzcocks is a comedy panel game show with a pop and rock music theme. The show is infamous for its dry, sarcastic humour and scathing, provocative attacks on the pop industry.