A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.
Recorded 21st of June 2019 at Hellfest 2019. Recorded & mixed by Johann Meyer. Additional footage & Editing by Bryce Hall.
The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.
What Army Of Lovers claimed to lack in traditional musical talent, they easily made up for in hi-tech-literate computer wizardry, and highly original visual charisma, never seen before nor after in the history of pop music. For the first time ever you will find the collective visual efforts of Army Of Lovers compiled on one single DVD.
Louis Tomlinson perform live in London, December 2020.
Coil's very final live appearance at the 2004 Dublin Electronic Arts Festival held in the Dublin City Hall.
COOCUYO. To quote a Cuban comedian: “where does the Cocuyo hide its battery?”, just thanks to its peculiarity, Desiderio uses this cockroach as a perfect metaphor to describe his protagonists: with their green lights during the night and virtually impossible to find during the day. In his movie, he tries to find the battery of the Cocuyo living and looking for the “day-time” part, creating a path made by portraits and with an anti-narrative style. These scenes are far away from the Electronic music, or partly at least; all in a very natural context and without a defined screenplay. http://www.coocuyo.com/
Duran Duran: Unstaged is a multimedia event that takes the audience on a cinematic journey with one of the most successful acts in the world during their performance at the Mayan Theater in Los Angeles.
Live at the Royal Albert Hall is the second live album and video by British rock band Bring Me The Horizon. It was recorded on 22 April 2016 at thr Royal Albert Hall, with accompaniment from the Parallax Orchestra.
Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.
‘Tangerine Dream is science fiction!’ declares band leader Edgar Froese who died in January, 2015 aged 70. For almost fifty years he and his band ‘Tangerine Dream’ explored sound and its effect on our emotions. This film about one of Germany’s first electronic bands kicks off with the young Berlin musicians who were as inspired by the space age of the 1960s, with its rocket launchings and visions of the future, as they were by their own heartbeat, on which Froese also based compositions. Aided by the Moog and other synthesisers Froese (and various band members) revolutionised popular music. His explorations took him into the worlds of classical, new and film music. He preferred to visualise moods rather than create clearly structured songs. A blend of amateur footage, interviews with band members, relatives, friends and colleagues such as Jean-Michel Jarre that creates a comprehensive portrait of an artistic pioneer.
Armin Only is a Dutch all-night dance event featuring solo performance by Armin van Buuren. The event consists of various genres of electronic dance music (but most predominantly Trance Music), light, laser and firework shows and supporting acts of singers/vocalists like Racoon (2005 edition), Ilse de Lange (2006 edition) and Audrey Gallagher performing 'Big Sky' by John O'Callaghan.
A documentary following the conscious evolution of electronic music culture and the spiritual movement that has awakened within.
A concert documentary following Panic! at the Disco during their performance in Denver, Colorado for their headline tour after the release of their debut album, 'A Fever You Can't Sweat Out' in 2005.
Queen Poppy and Branch make a surprising discovery — there are other Troll worlds beyond their own, and their distinct differences create big clashes between these various tribes. When a mysterious threat puts all of the Trolls across the land in danger, Poppy, Branch, and their band of friends must embark on an epic quest to create harmony among the feuding Trolls to unite them against certain doom.
This incredible archive represents a great set of previously unreleased recordings in the Kinks catalog. The collection has been brought together by trawling the BBC archives, but also by inviting contributions from fans. Included also is a DVD of the bands sought after appearances on Top of the Pops and the Old Grey Whistle Test a well as concerts from throughout the band's career. This is a first for the band as these recordings have never been available in one place before. The Kinks At The BBC is a triumphant collection of the defining moments of a truly seminal British band, as witnessed, broadcast and archived by the voice of the nation, the BBC.
Foo Fighters captured over their two sold-out nights at Wembley on 6th and 7th June, 2008.
Journey through the music videos and short films from Jimmy Cauty and Bill Drummond in their various guises as The JAMs, The KLF and The Timelords, one of the most successful and subversively creative electronic bands of the early 90s.
"Usual thing, try and get the question in the answer" - A conversation with the band discussing recording techniques, inter cut with personal archive footage from previous album sessions.
Meeting People Is Easy takes place during the promotion of Radiohead's 1997 release OK Computer, containing a collage of video clips, sound bites, and dialogue going behind the scenes with the band on their world tour, showing the eventual burn-out of the group as the world tour progresses. The inaugural show of the OK Computer tour began on 22 May 1997 in Barcelona, Spain.