Abbas Kiarostami

"10 on Ten" is a 2004 Iranian documentary film directed by Abbas Kiarostami. It was screened in the Un Certain Regard section at the 2004 Cannes Film Festival. Looking to his own art for inspiration, Abbas Kiarostami reflects on his techniques of filming and how he taped certain sequences in "Ten" in 2001.

U.S.-based film professor Jamsheed Akrami talks to Iranian master Abbas Kiarostami in an inpromptu video interview, which offers a frank and funny view of Kiarostami rarely seen before.

A short documentary about the making of Abbas Kiarostami's 'Shirin'.

Through an interview with Kiarostami in the Aran Islands and interviews with film critics and scholars at Cannes, the director examines Kiarostami's themes and methods. The director also profiles Kiarostami as a poet and a photographer.

A look at the formation of the career of Iranian filmmaker Abbas Kiarostami.

Kiarostami as we have never really known him before, despite the transformative power of his many movies. Filmmaker and close friend Samadian avoids the talking heads of so many artistic memoirs to offer more candid clips of Kiarostami the man: lover of poetry, convivial with friends, engaging landscapes on and off screen, laughing with other artists. The artist and visionary emerges more clearly but so does a loving, wondrous man whom we will miss now as much as the auteur.

A behind-the-scenes documentary on the making of Abbas Kiarostami’s "Certified Copy" (2010).

A documentary about Iranian film director Abbas Kiarostami first aired on the French television series Cinema de Notre Temps.

Documentary with behind-the-scenes footage on the set of Abbas Kiarostomi's 2012 film "Like Someone in Love" with narration by the director.

A short documentary from footage of the making of Kiarostami's 2017 film 24 FRAMES.

A documentary by Hamideh Sharif Rad about Abbas Kiarostami's "Through the Olive Trees" (1994).

Static shots of his photos alternate with footage of director Abbas Kiarostami's car winding through mountain roads, as the Iranian filmmaker muses in voice-over on the significance of the journey and on the path of his work and Persian literature as a whole.

Acclaimed Iranian film director Abbas Kiarostami, delivers a film workshop in Bogotá, the filmmakers conclude by proposing a short film in 10 days. Diego, one of the directors of the workshop, as scouting, meets a young shy librarian named Vida , who dreams of being an actress.

Abbas Kiarostami about the making of "The Wind Will Carry Us"

Relationships and multiple influences between two great directors of modern cinema.

Mohara Yuji's documentary A Week with Kiarostami, filmed on the set of The Wind Will Carry Us. A photographic diary, the film plunges us into the beating heart of a shoot whose story plays out to the rhythm of the relationships between actors and local people. A team led by Yuji Mohara traveled to Iran to a portrait of the Iranian filmmaker Abbas Kiarostam. Mohara met Kiarostami in a village on the set of Kiarostami's The Wind Will Carry Us. A Week with Kiarostami is a cinematic diary of the set, and opened the door to the world of this poetic and mysterious director. Seven days which allow us to this corner of Iran to discover, and the way in which Kiarostami these dreams; seven chronicles we do pay up in the beating heart of a rotation whose story the rhythm of the relationships between the actors and villagers follows.

Abbas Kiarostami on his film Five Dedicated to Ozu.

“Nature, the inexhaustible resource of encounters worthy of speechless communication,” declares Abbas Kiarostami in Fergus Daly’s beautiful journey. How can cinema free itself of its anthropocentric and industrial determinations? Each of the films presented here offers a solution, be it iconographic or technical, whether it involves renewing a representation or producing one’s own film reels, dancing with one’s whole body with nature as one’s partner or imagining a sound as animals might perceive it.

Abbas Kiarostami is the most acclaimed Iranian film director whose films have won prizes all around the world. In this film he gives a rare and frank interview about his work, and journeys out of Tehran to meet Babk Ahmadpoor the now grown up star of his famous trilogy which started with Where is the Friends House. On the journey Kiarostami picks up the camera himself, producing images of pure poetry.

A documentary that focuses on Abbas Kiarostami's cinematic philosophy talking to himself and other figures, and also seeks the opinion about his works both inside and outside his homeland.

10 Days with Kiarostami

This interview-based documentary is made on the occasion of the 70th birthday of Aydin Aghdashloo, Mohammad Ehsaei and Abbas Kiarostami, and deals with "aging" from the point of view of these three prominent friends and artists.

Abbas Kiarostami shoots a documentary about the AIDS crisis in Uganda.

Sohanak

Onstage interview with filmmaker Abbas Kiarostami and Richard Richard Peña

An Iranian filmmaker, a female taxi driver and a class a about cinema.

Twenty years after The Traveler was made, Kiarostami's son filmed his father as he reunited with the film's child star, now in his 30s.

A documentary dealing with the life of Ahmadreza Ahmadi, an Iranian Poet.

Leeches a film by bahman kiarostami

Young male students at a local Iranian school are asked about their feelings on homework.

This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.

A documentary about the most important modern Iranian poet and intellectual icon. Iranian poet Ahmad Shamlou talks about his poetry, the world of poetry, and his life. Filmed over a two year period from 1996 to 1998.

Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.

Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Robert Bresson to new interviews with Mike Leigh, David Lynch, and Jonas Mekas, Oscar-winning filmmaker Chuck Workman shows what these filmmakers and others do that can't be expressed in words - but only in cinema.

Filmmaker José Luis Guerin documents his experience during a year of traveling as a guest of film festivals to present his previous film. What emerges is a wonderfully humane and sincere portrayal of the people that he meets when he goes off the beaten track in some of the world's major cities.

The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.

This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.

Complications arise in a director's attempt to film a scene in Life, and Nothing more... (1992).