Abbas Kiarostami: The Art of Living

Documentary about the life and work of film director Preston Sturges.

The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.

Documentary about the making of Twin Peaks: Fire Walk With Me.

A documentary on the collaboration of filmmaker Sacha Guitry and actor Michel Simon focusing on the film "La Poison" (1951).

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

A documentary on the life and career of one of the most influential film directors of all time, Steven Spielberg.

British artist, academic, musician and activist Bob and Roberta Smith has been waging slightly odd political protests for years, in this documentary he investigates the age of activism and discovers what people are protesting about.

Documentary about the making of Marcel Carné's 1942 film.

Documentary about the making of Luc and Jean-Pierre Dardenne's 2011 film "The Kid with a Bike"

Documentary about the making of the 1967 Czech film "Marketa Lazarova".

Documentary about Indian filmmaker Satyajit Ray

Documentary filmed on-set during the making of Aki Kaurismaki's "La vie de Boheme"

On-set documentary about the making of the film "Y tu mamá también."

A making-of documentary featuring interviews with director Michael Haneke, actor Juliette Binoche, and producer Marin Karmitz, as well as on-set footage of cast and crew of "Code Unknown".

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

An overview of the iconic actresses' legendary careers, as well as the rivalry that colored "What Ever Happened to Baby Jane?"

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.

Television documentary about the making of Roman Polanski's 1979 film, Tess.

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González