Abbas Kiarostami: The Art of Living

The second part of a BBC documentary on the latter half of the career of French director Jean Renoir.

Three-part interview with French film director Jean Renoir, conducted by French New Wave director Jacques Rivette.

Speaking Eyes

A Weaverly Path offers an intimate portrait of Swiss-born tapestry weaver Silvia Heyden. The film captures the inner dialogue and meditations of an extraordinary artist in the moments of creation. Heyden works for over a year to create works inspired by the Eno River in Durham, North Carolina. And she shares how nature, music, her Bauhaus inspired education at the School of the Arts in Zurich and her life experiences anchor and inform her art. Heyden was a 20th century modernist whose body of work redefines the art of modern tapestry.

About Stefan Stricker, who calls himself Juwelia and has been running a gallery on Sanderstraße in Berlin Neukölln for many years. Every weekend he invites guests to shamelessly recount from his life and to sing poetic songs written with his friend from Hollywood Jose Promis. Juwelia has been poor and sexy all her life, has always struggled for recognition, but only partially.

Celebrating Billy Connolly's 75th birthday and 50 years in the business, three Scottish artists - John Byrne, Jack Vettriano and Rachel MacLean - each create a new portrait of the Big Yin. As he sits with each artist, Billy talks about his remarkable life and career which has taken him from musician and pioneering stand-up to Hollywood star and national treasure.

The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.

Tell Them We Were Here is an inspirational feature-length documentary about eight artists who show us why art is vital to a healthy society and reminds us that we are stronger together.

Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.

In 2003, eight Rhode Islanders created a secret apartment inside a busy mall and lived there for four years, filming everything along the way. Far more than a prank, the secret apartment became a deeply meaningful place for all involved.

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.

Documentary about the making of Italian film director Bernardo Bertolucci's The Last Emperor.

This film explores the transformation of an image from color negative to color positive on one film stock. “The Still Life“ was painted its color negative during the filming and then the exposed film was processed and printed on color negative printstock.

Documentary about the 1971 Canadian film by Claude Jutra.

Documentary about the making of Wim Wenders' 1984 film, with interviews conducted in 1989.

This MGM Passing Parade series short takes a look at changing definitions of art in the United States.

For both Aboriginal and non-Aboriginal Australians, Captain James Cook is a figure of great historical significance.

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Presents Alex Ross demonstrating how he creates arresting patterns of vivid color and how he uses acrylic paint on a textured media board.

One public housing flat in Moscow stood out above all others: the home of George Costakis, the foremost collector of early 20th century Russian avant-garde art. Its walls were crowded with banned and forgotten works by artists such as Malevich, Tatlin, Kandinsky, Chagall, Lissitzky, Rodchenko, and Kliun; public figures such as Edward Kennedy, Stravinsky, and Alfred Barr visited. Barrie Gavin met the collector in 1982 at his home in Athens. Costakis, a Greek born in Russia, passionately shares his story and those of the great Russian avant-garde artists. Their works are his legacy – without him, they would not have survived the political upheavals in Russia.