Mike Watt

A feature-length documentary chronicling early '80s punk rock band the Minutemen, from their beginnings in San Pedro, California, to their demise after the death of singer D. Boon in 1985.

From the shifting fault lines of Hollywood fantasies and the economic and racial tensions of Reagan's America, Fishbone rose and became one of the most original bands of the last 25 years. With a blistering combination of punk and funk they demolished the walls of genre and challenged the racial stereotypes and the political order of the music industry and of the nation.

Three teenagers from the industrial part of Los Angeles try to form a punk rock band in Hollywood, in this feature length film by renowned artist Raymond Pettibon.

Gatling Pictures' "Cure for Pain: The Mark Sandman Story" examines the life and work of Mark Sandman, deceased frontman of Boston "low rock" band Morphine. From his Newton, Mass., roots to his travels across America and around the globe, Sandman left an indelible imprint as one of the most distinctive musicians of his generation. Along with revisiting the "unique and sultry sound" of his music, the film explores the meaning of family through this critically praised and personally conflicted singer, songwriter and innovative instrumentalist.

Featuring a cast that includes Sonic Youth's Kim Gordon and Thurston Moore, Mike Watt of the legendary hardcore band Minutemen, and Pettibon himself, this deadpan narrative pays dubious homage to the 1960's radical underground. In this crudely rendered home video of a commune of stoned revolutionaries, the cameras are hand-held, the edits in-camera, and the dialogue is wryly on-target. Pettibon's band of outsiders reenacts a countercultural moment defined by rock music, drugs, and ideological paradox — and in so doing, captures their own late-80's West Coast grunge milieu as well.

Filmed during their 2005 reunion tour, this release captures the sonic guitar assaults of Dinosaur Jr. onstage, playing the songs "Gargoyle," "Little Fury Things," "Just Like Heaven," and more. Also included is rare behind-the-scenes footage featuring the band, as well as interviews with Kim Gordon and Thurston Moore (Sonic Youth), Mike Watt (The Minutemen), and guitarist Steve Albini.

Four awkward 17-year-olds struggle through their senior year. Like most high school students, they ride a continual wave of embarrassment: crappy after-school jobs, attempted sex in the science room, tinfoil shorts, guitar-strumming hippie teachers and brushes with the law. The only difference is that their moments of humiliation are caught on tape--our gang of four are the subjects of a documentary shot by fellow classmates.

Written and directed by San Diego based musician and filmmaker Jason Blackmore, Records Collecting Dust documents the vinyl record collections, origins, and holy grails of alternative music icons Jello Biafra, Chuck Dukowski, Keith Morris, John Reis, and over thirty other underground music comrades.

Cassette inventor Lou Ottens digs through his past to figure out why the audiotape won't die. Rock veterans join a legion of young bands releasing music on tape to push Lou along on his journey to remember.

No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.

Based on the life and death of Gov't Mule bassist Allen Woody, and the making of a double-disc tribute album (Gov't Mule's The Deep End , Volumes 1 & 2) featuring a host of legendary bass players. Throughout the film, director Mike Gordon (of Phish, who also plays on the album) interviews Woody's family and bandmates and also discusses the philosophy and technique of bass playing with a number of the instrument's legends, including Chris Squire, Les Claypool, John Entwistle, Flea, Bootsy Collins, Mike Watt, Roger Glover and others.

YOU CAN COLOR OUTSIDE THE LINES, THE BIG BOYS tells the true story of the beloved funk/punk band from Austin, Texas. Go beyond Austin's city limits and hear from some of music & skateboarding's greats about how the original "skate punk" band's message of DIY positivity still resonates today. Hear from such legends as Tim Kerr (Big Boys), Fred Armisen (SNL), Tony Alva (Dogtown & Z-Boys), Jeff Ament (Pearl Jam), Exene Cervenka (X) & many more as this VHS-inspired trip takes you back to those hot summers of Texas in the 80s. And then go make your own art!

A punk band from Texas whose music and persona was extreme and political and the supporters who've followed and loved them for over 35 years.

The untold story of a series of Reagan-era guerrilla punk and industrial desert happenings in Southern California that are now recognized as the inspiration for Burning Man, Lollapalooza, and Coachella. Interviews and rare performance footage of Sonic Youth, Minutemen, Meat Puppets, Redd Kross, Einstürzende Neubauten, Survival Research Laboratories, Savage Republic, Swans and more.

Live performance by Iggy and the Stooges in tribute to their former guitarist Ron Asheton. Recorded at the Michigan Theater in 2011, the band plays a selection of songs from throughout their career including 'Search and Destroy', 'Gimme Danger', 'I Wanna Be Your Dog' and 'No Fun'.

Iggy and the Stooges, live at The Hordern Pavilion in Sydney on April 2, 2013. It was an old-school punk party complete with stage invasions, crazy crowdsurfing and an arsenal of punk anthems – it’s Iggy and The Stooges‘ scorching Sydney show!

As a fixture of the New York music scene for 30 years, Sonic Youth performed in New York City innumerable times, and served as ersatz cultural ambassadors for the city when traveling. As part of the 2019 Rooftop Films programming, Sonic Youth will present a New York-specific collection of film and videos from their private archives. Much of the material to be presented is completely unseen, threaded together with a few items which are out there in the public knowledge but here presented from the best source available to the band.

This documentary features interviews with Ian MacKaye (Fugazi), J Mascis (Dinosaur jr.), John John Jesse (Demonic Erotic painter), Jim Rose (Jim Rose Sideshow), Jim Thirwell (Foetus), Lydia Lunch, Mike Watt (Minutemen), Richard Kern (Filmmaker), Ron Ashet

The stories of some of the biggest artists in music, recalling the romance and adventure, as well as the idiocy and chaos, of their time on the road. While the world has changed, the custom has not changed. There is no other way to know whether you can make it in this business. You have to get in the van.

Iggy and the Stooges' legendary performance on the Other Stage at 2007's Glastonbury, which took audience participation at the festival to another level.

This performance, shot live at the Lokerse Festival in August 2005 shows exactly why the Stooges were so influential in their heyday and why to this day they have no peer. Featuring the greatest songs from the seminal albums, The Stooges (1969) and Funhouse (1970) as well as two new songs the band first recorded for Iggy’s last solo album, Live at Lokerse Festival is the definitive record of the Stooges’ long awaited return to glory.

Long before Green Day and Blink 182 inflicted punk-rock's puncture wound on the map of mainstream music, the Descendents were at home concocting the perfect mix of pop, angst, love, and coffee. FILMAGE: The Story of DESCENDENTS/ALL follows drummer/square-peg Bill Stevenson and his 'caffeinated retardedness' as he pushes his rotating door of bandmates to 'achieve ALL,' his philosophy of going for greatness at all costs. Stevenson is a force to be reckoned with--not even grapefruit-sized brain tumors can keep him down.

Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.

For their sixth studio album, Sonic Youth created this film to showcase every song on their album Goo, the ground-breaking, genre-defining, unforgettable record from the noise rock band.

Channel Street Skatepark successfully existed for over a decade under the Interstate 110, despite its illegal creation, until overpass construction led to an ongoing shutdown. Channel Street founders and advocates continue to push for a reopening but the legal matter proves to be a much more complex task than anyone ever imagined. Concrete Law explores the battle between Channel Street Skatepark and bureaucratic control. This film uncovers the history of the park, from creation to current status, through interviews with park founders, local and pro skaters, business owners, and city officials.

Notable and notorious personalities share their most candid party stories with help from emerging artists and animators.

A cartoon superhero interacts with live guests via his television set in this parody talk show based on 1960s Hanna-Barbera cartoon character Space Ghost.