Dementia draws a woman into a world of memory loops, losing her love her spirit, her present her past.
The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).
Akin Ang Buhok Ko follows the story of Juan, a 9-year-old kid, who simply wants to keep his long hair against the wishes of the adults around him. When his father finds out that Juan skips classes to evade a mandatory haircut in school, he promises to cut his child’s hair himself. All the while, Juan, together with his best friend, devises a plan to escape their homes.
In this avant-garde look at a series of unique or eccentric men and women, director Stavros Tornes has created a film that is visually engaging, but too obscure in many points to be understood. The main protagonists are a young taxi driver -- a man who has had some very unusual, puzzling, and inspirational experiences -- and a middle-aged painter he gains as a new friend. The two men are complemented by a few tough women (all played by the same actress), a pair of verbose politicos, and a handful of other distinctive characters. By the end of the movie, transformations are in store for the pair of friends, reflecting the tenor of the film throughout. ~ Eleanor Mannikka, Rovi
Andy is a new teacher at an inner city high school that is unlike any he has seen before. There are metal detectors at the front door and the place is basically run by a tough kid named Peter Stegman. Soon, Andy and Stegman become enemies and Stegman will stop at nothing to protect his turf and drug dealing business.
Normality is a human state of good intentions, empathy, caring and wanting to do the best for those we love and the world at large.
Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embarks on a sex- and violence-filled journey through a United States of psychos and quickie marts.
It's November 1989 and the world is changing, so is Jarle who attends Kongsgård HS in Stavanger. He plays the guitar/lead singer in a local radical punkband, got a great girlfriend and has the coolest best friend. But its all about to change when Yngve enters the classroom.
Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images. The Image Burns begins as a reflection on our perception and becomes an intense interaction between the parts, between the images and the spectator. We look at the fire and the fire looks back at us.
In Razor Blades, Paul SHARITS consciously challenges our eyes, ears and minds to withstand a barrage of high powered and often contradictory stimuli. In a careful juxtaposition and fusion of these elements on different parts of our being, usually occurring simultaneously, we feel at times hypnotised and re-educated by some potent and mysterious force.
In 1976, punk rocker Danny Brooklyn was kicked out of his own band. 45 years later, he's crashing the reunion.
Die Polizistin is a documentary by Andreas Dresen about the life of a young police woman who is faced with the difficulties between her responsibilities at work and her personal responsibilities.
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
For a young boy, ordinary facts and things of daily life seem to have great importance.
A meditation on freedom and technological approaches to manifest destiny.
The silent film is about a depressive lady of the last century who travels through time to a beach of current times, but ends up coming across a completely polluted environment.
Robot Johnny 5 moves to the city to help his friend Ben Jahrvi with his toy manufacturing enterprise, only to be manipulated by criminals who want to use him for their own nefarious purposes.
Three kids are trying to stand strong. In a world where you don’t know for what you want to stay strong. Full of sexuality and the need to define their identity. “We are the children with no obligations, the most possibilities, with the most liberated freedom. We are children who build words. Children who give birth to children. We are children of our time, free from guilt.”
A story of diaspora. The film criticises the myth of Swiss neutrality, which violently masks structural, systemic, and social passivity.