Ian Lomongo

BIG BOY is a coming-of-age tale about a boy and his family in 1950s Mindoro, Philippines, and how he is groomed into becoming the poster boy for his parent's home-based business. The film is an experimental portrait of a family amidst change -- an experience that will engage audiences in something strange but familiar.

A merman is washed not ashore but into the heart of a bustling metro. Disoriented, he walks around and runs into several characters, all of them in the middle of their nightly grind.

Filmmaker John Torres describes his childhood and discusses his father's infidelities.

The Philippines, 1972. Mysterious things are happening in a remote barrio. Wails are heard from the forest, cows are hacked to death, a man is found bleeding to death at the crossroad and houses are burned. Ferdinand E. Marcos announces Proclamation No. 1081 putting the entire country under Martial Law.

A group of friends, prompted by the frequent sightings of Unidentified Flying Objects or U.F.O.'s in Zambales in the mid-nineties, decide to take a trip to the province to retrace the legend of the sightings. They then befriend a local, who they presume is their age group, not knowing exactly who or what he is. Little do they know that the local will become the spark that would threaten to ruin the friendship that has already been strained with many things that have been left unsaid.

Six single women and a priest's lives intersect when a bingo marathon is launched in their church for the barangay fiesta, turning expectations and relationships upside down and inside out.

A man is wrongly jailed for murder while the real killer roams free. The murderer is an intellectual frustrated with his country’s never-ending cycle of betrayal and apathy. The convict is a simple man who finds life in prison more tolerable, when something mysterious and strange starts happening to him.

What can a family do if someone disappears in a dictatorship? You can’t go to the police for help or information. Many families were affected in this way by the cruelty of the Marcos dictatorship (1972-1986). The film shows one of them as an example of paradise lost.

A special little homeless girl travels about the Philippines curing the afflicted with her mysterious healing powers, until one day she befriends a sick old man who for some perplexing reason she is unable to cure. The unlikely pair are drawn to each other and their lives are forever changed by their unique friendship and magical journey together.

It is the year 2034 AD and Southeast Asia has been in the dark for the last three years, literally, because the sun hasn’t shone as a result of massive volcanic eruptions at the Celebes Sea in 2031. Madmen control countries, communities, enclaves and bubble cities. Cataclysmic epidemics razed over the continent. Millions have died and millions have left.

In the late 70s, a gang of militias, under the control of the military, terrorizes a remote village in the Philippines. The terror being inflicted on the populace is not just corporal but intensely psychological as well. They were constantly fed with apocryphal tales about the village leader. A few souls are not giving up. They are fighting. The poet/teacher/activist, Hugo Haniway, decides to find out the truth about the disappearance of his wife. A love story set in the darkest period of Philippine history, the Marcos Dictatorship. The narrative and the characters are a composite of real events and real people that happened and existed during the period. A Filipino rock opera.

To reimage, rewrite, and reread my country’s bastard history, using dismembered icons and scenographies that both affirm and negate remembered mythology.

In the wake of her husband's death, Chedeng, 66, decides to come out of the closet. Her best friend Apple, 63, beheads her live-in partner in a fit of rage. Bound by friendship, the two elderly women, together with the severed head placed inside a Louis Vuitton bag, set off an adventure to find Chedeng's ex-girlfriend.

Short film from by Khavn.

Tuding sets out on a journey to a distant town to track down the man who got her youngest sister pregnant, and she’s not going home without him. A pancit western set in the late-1940s.

With the imminent death of his autocratic grandfather, coinciding with the burgeoning oppressive regime of Ferdinand Marcos, Servando Monzon III, inheritor of the hacienda and businesses of his powerful clan, agonizes on becoming the new feudal lord and capitulating with Marcos’ designs to control the Philippines. He is aware of his clan’s long history of violence; he knows the very violent history of his county; and he foresees a very violent future with the Marcos dictatorship.

Porferia, who is 9 months pregnant, and her husband Felix, are abducted by the military and wrongfully accused of insurgency. Porferia's wild imagination and unsinkable hope carry them through the ordeal of torture, leading to their eventual escape.