Years When I Was a Child Outside

An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.

In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory

"A l likeness is a gift... it avoids... or confuses time if your prefer." said John Berger. Following this premise, 81.92 is a structuralist inquiry into the notion of presence and absence as it reveals archival radio broadcasts from former Montreal radio host Mike Wolkow. The former (the audible) is left invisible while the later (the visible) seeks to find the missing elements that trace the passage of this vocal presence. Past and present interplay in this piece that shifts between epochs, thus mimicking a radio signal that is being tuned in.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and tone of Kiyoshi Kurosawa’s modern horror classic Cure, deploying a dizzying range of cinematic references to unravel the film’s eerie magic.

Zaniklý svět Karla Pecky

A playful and poetic film essay journey that revives Peter Altenberg, the eccentric Viennese modernist who turned café life into an art form.

A documentary based on the mutual experiences of a trio of directors, which portrays life in the border village of Bystré during the last year of the millennium. The film concentrates on the exuberant social life of the community, including many bizarre recent customs, as well as on several very intimate moments in the lives of the inhabitants.

A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.

Premiered at the 2017 Locarno International Film Festival.

In this video I share my experience as the first Resident of the Harun Farocki Institut in Berlin during the winter of 2016-2017. Produced for the Goethe Institute.

Nonstop

Florent Tillon takes an anthropological lens to Las Vegas, Nevada. What he finds is some curious new species of Americana. (Dorothy Woodend, DOXA Documentary Film Festival)

In addition to being a popular excursion destination, Äskhult's village outside Kungsbacka on the west coast of Sweden is a place where our past is kept alive while creating opportunities for a more sustainable future.

Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.

A visual essay on contemporary Kiwi architecture.

Through the footage from his family's Handycam, the director creates a portrait of his family that is falling apart.

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.

An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded scenes and archival footage, the short presents an unorthodox narrative to explore the themes of self-identification, identity, gender expression and androgyny.