Constance Ford

The Bronx, New York City, New York, USA

Biography

Constance Ford began her career in television in the 1950s, performing in live television dramas on "Studio One in Hollywood" (1948),"Armstrong Circle Theatre" (1950), "Goodyear Playhouse" (1951), and other acclaimed series, and playing recurring characters in four afternoon serials; "Rose Peabody" in "Search for Tomorrow" (1951), "Lynn Sherwood" in "Woman with a Past" (1954), "Eve Morris" in "The Edge of Night"(1956) and "Ada Davis Downs Hobson" in "Another World" (1964). Ford's assertive style made her a favorite of TV casting directors, and she was often featured in episodes of "Ponds Theater" (1953), "Bat Masterson" (1958), "Rawhide" (1959), "Gunsmoke" (1955), "Alfred Hitchcock Presents" (1955), "Twilight Zone" (1959), and other series, as tough but sensible career women.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

More info
Matinee Theater
1955