Gelly Mavropoulou

A bunch of women dominates Kostas Filipou's life. His mother Smaro and his three sisters: married Rika - who wants to take a divorce -, religious Fanouria and Tzela the student. The last two have to get married. There are also the women who work at the women's lingerie business that he runs, many of whom see him as a potential husband, as well as Betty, a colleague deeply in love with him, whose mother pressures her to get married. When Kostas secretly marries Betty, who rents with her mother an apartment above theirs, Smaro decides to find both of them a mate. She suggests to Betty the neighborhood's electrician- but Kostas finds a way to break the match- and to Kostas a young woman from Veroia- but Betty manages to break the match. The revelation of the couple's marriage relieves everyone and the fact that Betty is pregnant brings the desired peace and serenity.

Thomas Karatoulpanis (Dinos Iliopoulos) is a naive employee at a car show in the Thessaloniki International Trade Fair. Because of his modest personality he is constantly criticised by his mother-in-law, his uncle and his boss. The only one who supports him is his wife. But the appearance of a doppelganger who buys extravagant gifts in his name causes a ruckus. Thomas is an amateur singer and participates in the Thessaloniki Song Festival winning the first prize. This is when everyone realises that there are two people who look alike.

Iro Konstantopoulou was thirteen years old when the Germans invaded Greece. Despite her age, however, she got involved with the resistance. When she was arrested for the first time, her rich father managed to set her free, and she fell in love with a young doctor who took care of her injuries following torture. A little before the withdrawal of the Germans, she participated in the blowing up of a train that was transporting ammunition, and she was arrested again, but this time no one could save her. She was executed at the Chaïdari camp, along with forty-nine other prisoners.

Charilaos (Orestis Makris), a retired officer with very strict and conservative principles, raises his four daughters with... military discipline, taking care of their culture, their appearance and their good behavior. Despite all his desire to marry them, he does not leave them anywhere alone, as a result of which no man approaches them. His wife, Efterpi (Eleni Zafiriou), as well as his friend and neighbor Xenophon (Pantelis Zervos), make remarkable efforts to convince him to change his tactics, but he insists on his very conservative behavior. But when the conversation reaches the well-to-do sister of Kalliopis (Georgia Vassiliadou) who has been living in Chicago, USA for years, everything turns upside down. She returns to Athens and undertakes to modernize the general's house, as well as help the four girls (and her nieces) to be rehabilitated.

A streetwise guy, according to a will, has to marry an extremely ugly old lady to get the money of the inheritance.So he tries to trick a poor devil into getting married with her.

A young and pretty girl, Violeta, is in love with a kind young artist, Alekos. The feelings are mutual, but the two young people have to face a severe old maid, aunt Pinelopi.

In a countryside village, a veteran politician, Damalas, and a young attorney, Ntinos, son of the village doctor, are rivals in the upcoming elections. Main controller of the political dispute is the all-powerful president of the village, Spyros Dalengos, who affects 900 of the inhabitants. The power acquired by those 900 people is the only dowry of his daughter Marina, who is in love with Ntinos. He has fallen for her to, but his conscience doesn't allow him to accept the unrighteous deal offered by Dalengios, who, after that, decides to support Damalas. However, Marina secretly changes the ballots handed out by her father's men, granting victory to her beloved, who goes straight to ask her to marry him, certain that he won thanks to his own abilities and effort.

The Miss Of The Mister

Despite the objections of his wife Sophia, Stelios decides embarks. It is the only way to escape the dire economic situation and are forced to send their son, Ares, the grandmother, Samos. Mars will return to Athens to stay with his mother, who works in the evenings, so come the first money by Stelios. Some problems and an accident that has the port, will bring Stelios as missing ..

Charilaos Maraziotis owns a store and owes so much money both to his lenders and to the state, that he is in danger of going to jail. He decides to pretend to be a psychopath and is sent to an asylum. His lenders, upon hearing the news about his mental health, change their attitude towards him and release him from his debts.

When Daisy saves the life of police officer Markos she is immediately promoted to the drug department of the police. Markos falls in love with her and they start going out until he asks her to marry him. That's exactly when she meets a junkie named Tasos Bekiris and falls in love with him. When he is murdered by a mysterious woman all the clues lead to Daisy who tries to prove her innocence. As she discovers, this woman is in charge of a drug-smuggling racket and she is also planning to import a huge quantity of heroin in Athens. Daisy kills her and arrives at their meeting place along with Markos.

A God-fearing young man refuses to sell his, rich in ore, pasture to a mining company. So an agent of this company creates a scam of a so-called miracle in order to convince him.

In a small courtyard of an Athenian neighborhood, the tenants become the owner of the cunning landlady who intervenes in their lives.

Abduction

The road with red lights

A good-natured paterfamilias who is struggling to make ends meet rests his hopes on his successful expatriate brother to finally see their older sister get married. However, is the wealthy sibling willing to help?

When the painter Nasos Karnezis is found dead and the police arrests Floras, the stockbroker Dimitris, his son from his first marriage, decides to find out who the real murderer is. Along with a tow of his friends, reporter Makris and the politician Delios research the case and they suspect Myrto, daughter of captain Kapsis who was executed by the Germans during the years of Occupation, after Karnezis had turned him in. Dimitris and Myrto, whose innocent has become clear in the meantime, fall in love with each other.

The forbidden love between legendary Mrs Frosini with the son of Ali Pasa, Mouhtar and her tragic death in the lake of Ioannina.

A widowed taverna owner tries to improve himself in order to please the aristocratic family of his son's wife. He manages to change things and ends up training everyone else instead.

Treason Avenue

Tsakitzis: The Patron Saint of the Poor

Pure And Dishonored

My Life Belongs To You

Taxidi Tou Melitos is about the fear that most elderly people experience: approaching death. Leon (Stavros Xenides) and Zaharoula (Betty Livanou) are heading out for their annual vacation at a summer resort. Instead of their usual carefree anticipation, their mood is subdued because their daughter has just married and is off on her honeymoon. Life is lonely without her and the couple cannot avoid the realization that death is not that far away for them. Once at the resort, Leon tries to overcome this nagging fear by taking a wild plunge in the ocean, naked, as he and Zaharoula are out walking on the beach. Taken up in the spirit of the moment, she joins him among the waves. The results, however, are not what they expected.

Red roses

The Brave Die Twice

Το παραστράτημα μιας αθώας

You have to live my love

Crime in Omonia

Ο Γολγοθάς μιας αθώας

Rolled in the mud

Of Fortune The Written

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

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