Dover Koshashvili

A story with a bit of despair: six or seven families who live in the same blocks that surround a parking lot. And they are all involved in each other’s lives.

A 32-year-old woman from an Israeli Sephardic community is childless but under constant pressure from her relatives demanding offsprings. She and her grandmother accidentally find themselves at the circumcision of a little child, and there someone tells her about a tradition quite strange to the outsiders: if a woman who cannot get pregnant eats the foreskin of a baby, life will take a turn for the better. Israeli director Shirley Sasson-Ezer shows intergenerational relationships that are full of love and are devoid of aggression and yet are still complicated by the insurmountable obstacles of differences in worldviews.

An existential comedy about a neurotic film director whose fears of failure, death and losing control all surface on the night his new film is released - a hysterical unforgettable night at least for him his band of eccentric friends.

Yet again, Batya is forced by her sister Leah to confront their father’s mental illness. Dealing with her sister's demands to hospitalize him, Batya has to realize what is the best decision for the whole family.

Ben arrives to his native Kibbutz and plans to ask his distant father Albert to help him recover a family apartment looted in WWII. But Albert has other plans... Completely drunk, he has bet that he could cross the country from north to south on a tractor in less than a week.

Raveh does not only document the past, he documents a future that will never be, and the films that Amrani did not live to create. Researching Amrani's documents, Raveh found several short screenplays, and sought out three directors of Amrani's generation to bring them to life. The short films are interwoven throughout the documentary - "The Boat", directed by Nir Bergman, "Albert and Ronit", directed by Dover Kosashvili, and "Sabbath Eve", directed by Joseph Cedar. The warmth, intensity and drama of family life; issues of Persian ethnicity; tradition and the desire to break away from tradition; the competition and camaraderie of boys and men; the search for love; a persistent spiritual search and a love of the sea - all these are reflected in the brief yet intriguing vignettes, imbuing the film with a sense of Amrani's vision as a filmmaker and how his presence might have influenced the Israeli film scene.

The story of Eti Alon, an employee in the "Bank LeMischar," who embezzled a quarter of a billion shekels from the customers' money and gave it to her gambling addict brother Ofer.