The first fiction feature film directed by Perlov. A visually beautiful burlesque fantasy about a fountain-of-youth pill and its effects on Getz, a down-and-out Tel Aviv night-club singer. After taking this much sought after pill, Getz becomes the epitome of youthful energy, and therefore a teen idol, a symbol of beauty and youth, up to the cathartic ending of the movie. The film brings together a cast of highly acclaimed Israeli theatre actors, with an original soundtrack and memorable musical moments written by the composer Yohanan Zarai.
Mismatched cousins David and Benji reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the pair's old tensions resurface against the backdrop of their family history.
A werewolf loose in Los Angeles changes the lives of three young adults who, after being mauled by the beast, learn that the only way to break the curse put upon them is to kill the one who started it all.
After living abroad, Lana returns to the United States, and finds that her uncle is a reclusive vagabond with psychic wounds from the Vietnam War.
In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.
The next great psycho horror slasher has given a documentary crew exclusive access to his life as he plans his reign of terror over the sleepy town of Glen Echo, all the while deconstructing the conventions and archetypes of the horror genre for them.
Brenda, Laura, Ruben and Willem meet each other at an uneasy therapy session. The unconventional therapist (Pamela Tevis) tells them they only have 48 minutes left to live. Looking back at their lives, they start making choices they never dared before. ** This movie was made as part of the 48 Days Film Project: all writing, shooting and editing happened within 48days.
A Seattle-based filmmaking team struggles to break down the doors of Hollywood.
Steve Coogan, an arrogant actor with low self-esteem and a complicated love life, is playing the eponymous role in an adaptation of "The Life and Opinions of Tristram Shandy, Gentleman" being filmed at a stately home. He constantly spars with actor Rob Brydon, who is playing Uncle Toby and believes his role to be of equal importance to Coogan's.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
In New York City in the days following the events of 9/11, Monty Brogan is a convicted drug dealer about to start a seven-year prison sentence, and his final hours of freedom are devoted to hanging out with his closest buddies and trying to prepare his girlfriend for his extended absence.
Cast and crew from A Nightmare on Elm Street are terrorized by Freddy Krueger and his razor-fingered glove as he crosses over into the real world.
A small film crew is wandering about Marrakesh and the surrounding desert. They are looking for locations for the remake of an American film in which a man swims his way home, passing through the houses and pools that he finds along the route. Corrado is the stand in used to test the shots, locations and the swimming pools in which the lead will be filmed. While we watch his attempts to get into the part, the real actors and a real crew burst onto the scene, on a set in which no one is in the right place. A film with a crisis of identity, in a surreal search for itself.
Life in a Tel Aviv apartment complex, an urban mosaic whose seedy characters, try as they might, can't get out of one another's faces. Gabi, a bobbed haired sexpot, and her lover Hezi—who's older, balding and married—rent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a Holocaust survivor, to a mental breakdown. Other characters include illegal Chinese immigrants, a teenage boy who's afraid to serve in the army, and a corrupt police detective.
Set in Tel Aviv, focuses on an interconnected group of friends and their various relationships. At the center is the adorably bookish Omer, about to turn 30, who still hasn't found himself, and his free-spirited best friend Miki, who both end up inadvertently dating the same handsome journalist, Ronen.
Galaxina is a lifelike, voluptuous android who is assigned to oversee the operations of an intergalactic Space Police cruiser captained by incompetent Cornelius Butt. When a mission requires the ship's crew to be placed in suspended animation for decades, Galaxina finds herself alone for many years, developing emotions and falling in love with the ship's pilot, Thor.
A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.
Ajami is an area of Tel Aviv in Israel where Arabs, Palestinians, Jews and Christians live together in a tense atmosphere. Omar, an Israeli Arab, struggles to save his family from a gang of extortionists. He also courts a beautiful Christian girl: Hadir. Malek, an illegal Palestinian worker, tries to collect enough money to pay for his mother's operation. Dando, an Israeli cop, does his utmost to find his missing brother who may have been killed by Palestinians.