Tadeusz Minc

One night noble married couple Fabiusz and Waleria find that their long-estranged friend Mucjusz has returned from his travels of distant lands. During dinner, he presents them with mysterious and exotic gifts.

Róża marries a promising young architect, Juliusz. Then World War II breaks out and within weeks Juliusz is deported to a concentration camp. Months, and then years go by, until Róża abandons any hope that her husband might return. She meets and falls in love with another man, and tries to put her life back together, but one day, unexpectedly, Juliusz does return - a shattered, mere ghost of his former self, physically crippled and tormented by memories of the camps. First out of duty, then out of pity, Róża starts to care for him, but her feelings slowly are transformed into a kind of revulsion

The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center