In 1963 and 1964, Andy Warhol captured dancer-choreographers Lucinda Childs, Yvonne Rainer, and Freddy Herko, and Village Voice dance critic Jill Johnston with his Bolex—performing in lofts, on rooftops, and at Judson.
Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.
Against a backdrop of the Manhattan skyline, Judson Dance Theater company member Freddy Herko and author and cultural critic Jill Johnston dance together on Wynn Chamberlain’s rooftop.
