Emperor Franz Josef

In Gustav Deutsch's most recent found footage work the masses "absorb" (Walter Benjamin), the artwork. Three historical camera pans across the streets and squares of Vienna, Surabaya, and Porto provide a starting point for reflection on the relationship of everyday stories and cinematic machinery.

This film is a kind of anthology about Vienna, from the invention of film to the present day. The aim is to break down the usual clichéd "image of Vienna" such as that found in the traditional "Vienna Film" by juxtaposing documentary footage, newly shot material and subjective sequences created by various artists. Individual, self-contained sections of the film gain new meaning within the context of historical material. Familiar sites appear estranged when edited together with historical scenes. Other scenes appear like a persiflage or satirical. The film does not incorporate any commentary whatsoever. It is a collage of diverse materials aimed at conveying a distanced image of Vienna to the viewer

A compilation of newsreels shot between 1913 and 1917 - the years leading up to the Russian Revolution.

Compelled by the inheritance of a mysterious box of letters, American aesthete Felix Pfeifle begins the journey of a lifetime to reach the source of the correspondence: the last heir of the Holy Roman Emperors, aging Archduke Otto von Habsburg. The quest takes Felix across America , over the Atlantic and beyond.

Only part of the film has survived.

Traces the origins and actions of World War I, from the funeral of Britain's King Edward VII to the Versailles Treaty.

A keen chronicle of the unlikely rise to power of Adolf Hitler (1889-1945) and a dissection of the Third Reich (1933-1945), but also an analysis of mass psychology and how the desperate crowd can be deceived and shepherded to the slaughterhouse.