The Fall of the Romanov Dynasty

While Susan B Anthony famously said the bicycle “has done more to emancipate women than anything else in the world”, The Freedom Machine interrogates what freedom looks like for women cyclists. From opening a shiny new bike on Christmas morning to the grind of a daily commute, bicycles hold a multitude of meanings and opportunities for women across the world. Using archival footage from across the UK’s film archives, The Freedom Machine shows the ways women have used the bicycle to find freedom and independence on the road, the race track and beyond. With a soundtrack by sound artist Cat Hawthorn, the film by emerging curator Jo Reid uses archival footage to entwine her personal experiences as a cyclist with the wider struggles and joys women across the world have discovered from travelling on two wheels.

The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.

This 3-D film chronicles the love, community, and life of festival-goers during Electric Daisy Carnival Las Vegas, the largest music festival in the U.S. Behind-the-scenes footage and exclusive interviews with Insomniac's Pasquale Rotella reveal the magic that makes this three-night, 345,000-person event a global phenomenon.

Documentary on one of Brazil's most controversial personalities: Getúlio Vargas, an ex-president.

This documentary profiles iconic journalist Helen Thomas who has held a front-row seat at White House press conferences for more than 60 years.

Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.

A missionary’s wife questions her needs to "save souls" after finding solace in her new friendship with a Ngarrindjeri woman.

A filmed conversation between Winton Dean and Jonathan Balcon about their fathers Basil Dean (1888 –1978) and Michael Balcon (1896 –1977). Both men helped to pave the way for the British film industry.

Somewhere in the world right now--much closer than you think--people are playing with trains. You might not see them at first, but they're there. In basements. In garages. In converted Army barracks. They're among the world's most compelling underground communities.

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

This character-driven film considers the evolving sex trafficking landscape as seen by the main players: the exploited, the pimps, the johns that fuel the business, and the cops who fight to stop it.

After Marta had decided to become a nun at a young age, filmmaker Maud Nycander followed her and her family for ten years.

A light-hearted celebration of British sex films from the 1950s to the early 1980s. Presented by Angus Deayton, the programme includes interviews with movie veterans Robin Askwith and Pamela Green, as well as featuring clips from popular X-rated movies like “Come Play with Me” (1977).

Interviewees discuss the life of former president George H. W. Bush

Waving the flag that states every film is political, Vincent Carelli visibilizes in this documentary the cause of the Guarani-Kaiowá: a group of indigenous people that fear their lands, located in the Mato Grosso do Sul, will be confiscated by the State. A territorial conflict born more than one hundred years ago, during the Paraguay war. While fighting against the Brazilian Congress in order not to be evicted from their homes, the 50.000 indigenous people demand the demarcation of the space that belongs to them. With some rigorous investigative work, the Brazilian director tells with his own voice of the social and political injustices suffered by the Guarani people through material he filmed over the course of more than forty years. The archive images, both color and black and white, reveal the crudeness with which they coexist every day: among the violation of their civil rights and the guts with which they confront the usurpers.

Director Anna Broinowski explores how Pauline Hanson's speech in 1996 and the decades of debate that followed has influenced Australia today; the impact of her political career on modern multicultural Australia, and the people who have helped her transition from local fish shop owner to Member for Oxley. Featuring many of Hanson's critics, opponents, advisors and commentators, from former Prime Minister John Howard, to current members of the media, including Margo Kingston and Alan Jones; and leading Indigenous commentator, Professor Marcia Langton.

A Bit of Scarlet excavates clips from Britain's cinema archives to create a moving and humorous testament to the closeted gay and lesbian images from filmmaking's earliest days.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.