Fettouma Ousliha-Bouamari

Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.

For thirty years, French-Algerian sisters Zorah, Nohra and Djamila have been living in the hope of finding their brother Rheda, abducted by their father, and hidden in newly decolonised Algeria. Their relationship is shaken when Zorah, the eldest sister, decides to write a play based on the traumatising events of their childhood that haunted them their whole life. But when they learn that their father is dying, the three sisters decide to go to Algeria to seize their last opportunity to have him reveal where their brother is. When the past catches up, the three sisters have no choice but to put their differences aside.

Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.

Directed by Moussa Haddad.

In a small village in rural Algeria, the "village idiot" is madly in love with a married woman. His voyeurism and antics bring shame on his father, who guarantees that his son will be married that same day, or his four wives will be repudiated.

During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.

To fight against the introduction of automatic checkouts that threaten their jobs, staff members at Hard Discounts secretly create their own "Alternative Discount" outlet by salvaging products that would otherwise have been wasted.

The writer Louis Gardel remembers his youth in Algeria. In 1955, Louis is 15 years old and lives with his grandmother Zoé. Zoé is friend with president Steiger, leader of the French settlers but also with the old Arab Bouarab. One night looking at the Bay of Algiers, Louis is convinced that the world in which he has grown will disappear. The first events of the War of Independence have begun. The young boys and young girls have a good time at the seaside: swimming, dancing, flirting. But, little by little, the war becomes part of their daily life.

Slightly over-the-hill actress Nina has a fainting spell in a Paris park and Sami, an Algerian man, out for a run comes to her aid. She seeks him out afterwards to return some property and discovers he works at night as a female prostitute. Nina is drawn to him and a friendship develops as he attempts to kick his drug habit and she tries to revive her acting career that sidelined when she moved to Russia for years.

A modern couple seeks to find marital happiness in a context where Algerian society is taking the “first step” towards female emancipation. A woman becomes president of a popular municipal assembly. Will she find happiness ?

A harrowing picture of the heritage of colonialism, focusing on a man driven mad by torture but saved by his wife, who restores his sanity and leads the progressive forces to rebuild the village.

In 1971, the Algerian government nationalized hydrocarbons. The consequences of this decision on the community of Algerians in France are numerous. The Galti family is prey to these economic problems. The father, Khaled, former member of the F.L.N. in France, does not escape the sentence. Sharazade, his wife and comrade in combat, finds herself torn between her role as wife, mother and nostalgia for a country and a bygone past. As for his son Karim, a victim of socio-cultural division, all he has left is refusal.

A stubborn director who wants to rediscover the Algiers of his childhood comes up against the “Hollywood” fantasies of his characters, non-professionals all hoping to be able to become “someone else”, at least for the duration of a film… Mise en abyme for a journey into megalomania…