The Inheritance

The true story of explorer, journalist and writer Isabelle Eberhardt, originally from Switzerland. She moved to Annaba in Algeria in 1897 with her mother, who preferred to live in the Algerian neighborhoods rather than the European neighborhoods that she hated, and converted to Islam. Her lifestyle shocked the French colonialists: she dressed like a man, frequented cafes and smoke shops. Fascinated by the desert, she traveled the Sahara under the identity of Si Mahmoud, she published articles and books on the world she discovered in southern Algeria, strongly criticizing the colonial authorities. Arriving in El Oued, the soldiers prevent him from continuing his journey. She disobeys and overhears officers shooting Arab prisoners. Arrested, she was accused of espionage and was expelled from Algeria. She married Slimane, a Muslim non-commissioned officer in 1901. Having become French through this marriage, she could now reside in Algeria.

It was from the popular song-poem by Mohamed Ben Guittoun that director Mohamed Hazourli (of the Constantine regional station of RTA) wrote the screenplay. Hiziya Bent Ahmeb Bey, 23 years old, lived in southeastern Algeria, in a village called Sidi Khaled. The daughter of a powerful notable of the Dhouaouda tribe, who regularly migrated through the desert, Hiziya was exceptionally beautiful, to the point that other girls were jealous and envious of her, and men succumbed to her charm. But the young woman's heart belonged to Saïd, an orphan taken in as a child by his uncle. They met in secret and married despite family hostility. A month after their wedding, Hiziya died during the transhumance in the desert. The death of his beloved plunged Saïd into deep grief, to the point that he abandoned his possessions and family to wander the desert.

During French colonization, a young Algerian boy is expelled from the French high school where he is able to study thanks to his father's position in the village. For his father, whose dream is to see his son climb the social ladder, this is a disaster, and the young man decides to go to work in the mines. A general strike that is severely repressed makes him aware of the class struggle, and he joins the resistance against discrimination and colonial oppression.

The Second World War. French authorities ban political parties and unions. In Algeria, the leaders of political and trade union organizations were arrested and interned in "surveillance" camps with more than 2,000 French and foreigners: communist activists, trade unionists, brigadists, Spanish republicans and other opponents of the Vichy regime. The Djenien Bourezg camp is one of these camps, located in southern Algeria and is one of the most formidable. An old activist for the Algerian national cause returns to the scene. He blows away the ashes that cover this part of history. And through it, we discover the hard fight of the camp inmates for respect and human dignity, under a fascist command.

On his return to Algeria, Belkacem Hadjadj, a young graduate of INSAS in Brussels, joined Algerian television and signed "Le Bouchon", his first feature in the register of an Italian comedy, around the misadventures of a tenant experiencing a water leak.

Jacques Mesrine, a loyal son and dedicated soldier, is back home and living with his parents after serving in the Algerian War. Soon he is seduced by the neon glamour of sixties Paris and the easy money it presents. Mentored by Guido, Mesrine turns his back on middle class law-abiding and soon moves swiftly up the criminal ladder.

A drama following a French platoon during Algeria's war of independence.

Has everything really been said about the Algerian war? Although the archives are opening up, almost fifty years after the signing of the Evian Agreements (March 18, 1962), direct witnesses are beginning to disappear. They are, however, unique bearers of history, often the only ones able to illustrate the harsh reality of a long-hidden period. Gérard Zwang, surgeon of the contingent between May 1956 and June 1958, is one of these essential witnesses who help us discover an original history of the Algerian War. During his service, in charge of treating the most atrocious wounds of his fellow soldiers, he sees the war from the side of its victims. He did not fight with a machine pistol in his hand, but behind the closed doors of an operating room where life gives way to death in a matter of seconds.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

A legend that begins with the magic words: "Once upon a time." Once upon a time, there was a little girl nicknamed Mimezrane for her beauty and especially for her beautiful braids. She was beautiful but had strangely sad eyes. She was orphaned at a very young age. Her boyfriend and confidant was Hennouche, a mischievous little boy with big black eyes. They lived together a carefree childhood. Time passed. They grew up. Hennouche became a goat herder with a melodious voice; Mimezrane, for her part, became a washerwoman and, on occasion, a water carrier. Both accepted their fate without ever complaining. Yet, even in her poverty, Mimezrane was the most beautiful of all.

The year is 1950 and an English couple, Louise and Michael, have arrived in French-occupied Indochina to cover a story on a French-owned rubber plantation. They are to be the guests of the enigmatic plantation overseer, Daniel, and his beautiful yet difficult daughter Viola, at their elegant, decaying villa amid a tropical jungle. Michael and Louise hope that some time spent working in an exotic location will help reignite the passion in their floundering marriage. Instead they become unwittingly involved in the personal, sexual and political tensions of their hosts. Daniel is desperate to hold onto a way of life no longer possible in a country struggling for independence, bringing him into conflict with not only his daughter but also with his adopted country.

Djamila, a young Algerian woman living with her brother Hadi and her uncle Mustafa in the Casbah district of Algiers under the French occupation of Algeria, sees the full extent of injustice, tyranny and cruelty on his compatriots by French soldiers. Jamila's nationalist spirit will be strengthened when French forces invade her university to arrest her classmate Amina who commits suicide by ingesting poison. Shortly after the prominent Algerian guerrilla leader Youssef takes refuge with her, she realizes that her uncle Mustafa is part of this network of anti-colonial rebel fighters. Her uncle linked her to the National Liberation Front (FLN). A series of events illustrate Jamila's participation in resistance operations against the occupier before she was finally captured and tortured. Finally, despite the efforts of her French lawyer, Jamila is sentenced to death...

The story of the post-independence nationalization of the mill of Monsieur Fabre, an old man attached to the land of Algeria where he was born. In this small town in eastern Algeria, there was nothing else to nationalize and they were actively preparing for the arrival of high dignitaries who would elevate the mill to the rank of an industrial flour mill even though it was threatened with ruin. The comedy gets worse when the football player from the local team withdraws for love, the officials' visit is canceled and Mr. Fabre returns.

This film, is about the courage and the determination of a young woman in djurdjur"as mountain in Algeria, fighting for her ancestor land during the earlier years of french occupation.

It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the French in the bitter Algerian war, from 1954 to 1962. Why did they make that choice? Why were they slaughtered after Algeria's independence? Why were they abandonned by the French government? Some fifty to sixty thousands were saved and transferred in France, often at pitiful conditions. This is for the first time, the story of this tragedy, told in the brilliant style of the authors of "Apocalypse".

Despite his lack of political convictions, photojournalist Bruno Forestier is roped into a paramilitary group waging a shadow war in Geneva against the Algerian independence movement.

A 19 year-old Swiss woman travels to her birthplace—an isolated, barren Berber settlement in the mountainous desert landscape of Algeria—to find her biological mother, whom she has never met. The perilous journey immerses her in a world virtually untouched by contemporary society, one that still clings to tribal mores and strict religious codes of conduct.

In the midst of the Algerian war for independence, a group of fighters is trapped in the mountains, surrounded by the colonial army. Cut off from their allies, they have only one hope: to transmit a vital message to save their unit. But crossing enemy lines is a suicide mission. Their only chance lies with an unexpected messenger: a courageous dog named Messaoud. Carrying the letter attached to his collar, he embarks on a perilous crossing, braving the hostile nature and the dangers of war. But when he is captured by the enemy, his courage and instinct become his only weapons. Prisoner, hunted, he must risk everything to escape and accomplish his mission before it is too late. Sacrifice, bravery and hope mingle in this breathtaking odyssey where the humblest of heroes can change the course of history. The Unknown Hero, a moving film which won first prize at the Arab World Festival in 2017.

Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.

Resistance leader Omar Mukhtar opposes Italian colonization before World War II. The brutal guerrilla war against Italian General Rodolfo Graziani and the Fascist forces of Benito Mussolini highlights the struggle for Libyan independence and the harsh tactics utilised by the colonisers.