Mairi Formozi

This immensely successful remake of the 1929 foustanella classic was directed by Dinos Dimopoulos and quickly established its stars (Dimitris Papamichael and the beautiful Aliki Vouyouklaki) as the Greek cinema's top box-office draws. The story itself rigidly follows the conventions of its subgenre, although because Greek filmmakers were still churning out foustanellas for decades afterward, it hardly seems more dated than the original. Once again, it tells the tale of Mitros (Titos Vandis), a wealthy herd owner with a foster daughter named Astero (Vouyouklaki) whom he marries off to another herd owner, despite the fact that she and his son Thimios (Papamichael) are desperately in love. The other herd owner dies and Astero loses her mind a bit (although she doesn't wig out quite as spectacularly as Aliki Theodoridou in the silent original), but Mitros finally comes to the right decision and allows the children to marry.

When it comes to his wife, Orestis is suspicious of everything, be it a moustachioed chauffeur or a lost pair of bumblebee-yellow gloves. But, are his fears justified or is this case of the lost fashion accessories a big misunderstanding?

Ioannina, in the beginning of the 19th century. The whole Greece is under Turks. Ioannina is governed by the fierce and vulgar Ali Pasas. Ali’s eldest son, Muchtar, falls in love with a young Greek widow, Frosyni. The problem is, he’s married to the vindictive and cruel Chanife. And the muslim penalty for having an affair with a married man is death…

Triumph