Miše Martinović

In a small seaside town in the middle of tourist season, an old eccentric, Ugo Bonacic, is murdered. The homicide inspector leads the investigation, which directs him to a strange foreigner dressed in white, who came to town with an American diving representation. During the investigation, he finds out that old Ugo had a copy of one Titian paintings, for which unusual legend is bind. Finally, a new version of an old Titian painting legend is cleared up.

A gang of young delinquents from a coastal town terrorize the locals, the tourists that spend the summer holidays there, as well as the young girls. They are especially focused on a pretty girl that sells newspapers, and they make a bet which one will seduce her.

The film is set in mid-16th century, at a time when the entire eastern Mediterranean is dominated by two great empires, the Ottoman Empire and the Republic of Venice, with the small but wealthy maritime republic of Ragusa (modern-day Dubrovnik) managing to maintain its independence through diplomatic agreements.

Classic tale of King Arthur and how his wife is kidnapped by his evil sister. Lancelot is sent out to try and retrieve the lost queen and unfortunately falls in love with her. Forbidden love, revenge, family rivalry, and magic are all prominent themes.

Destinies of few people from Dubrovnik, as well as Croatian fighters against Yugoslav People's Army in the battle of Srdj, mountain behind the town's walls.

The story of the Dubrovnik landowner Nikša Prokulić, who fiercely opposes romance between his daughter Jela and the Czech officer Marek, member of the Austro-Hungarian army that occupied their city in 1814, after the departure of the French. The story of the final downfall of the Republic of Dubrovnik thus also becomes the story of the agony of an ancient aristocratic family.

A life in a small coastal town in Dalmatia, Croatia, seen through the prism of the local chronicler-amateur and his writings, during the periods before and after WW2.

Apart from the fact that he feels neither as a citizen nor as a peasant, nothing binds the main protagonist to his place of birth in this typical Simunovic work about homo duplex, deeply contaminated with a feeling of pain.