Rouiched

Hassan Terro au Maquis

Hassan Taxi

Directed by Mustapha Badie.

"Hijos de la tierra" presents a drama set a little before the 1920s, in which scattered news, stories and rumors spread the presence of a new wealth, oil, leading to the suspicion that a great change was about to take place.

Directed by Mustapha Kateb.

The story of Hassan, the handyman in the inn of his sister Aïcha, widowed and childless. A whole series of incidents, misunderstandings, will punctuate his daily routine in which we find him in turn driver, waiter, welder, etc. But, he refuses to submit to anything that does not conform to the idea he has of society and things...

While he tries by all means to stay out of the bloody upheavals caused by the battle of Algiers, Hassan, an honest and naive father, unknowingly offers hospitality to a mujahid actively sought by the army. French. A series of events and misunderstandings quickly catapult him to the forefront, presenting him under the pseudonym “Hassan Terro”, a great fictitious terrorist who would have sworn the doom of the French army...

Tracing the struggle of the Algerian Front de Liberation Nationale to gain freedom from French colonial rule as seen through the eyes of Ali from his start as a petty thief to his rise to prominence in the organisation and capture by the French in 1957. The film traces the rebels' struggle and the increasingly extreme measures taken by the French government to quell the revolt.

More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.

Adar, an old actor who loves both theater and cinema. Its character portrays a play about a shoemaker whose dream is to create a political party, the Nail Party, in order to represent the common people in the presidential election in Algeria. It is a story of absence, memories of absence.

This musical comedy produced in 1953 for the General Government of Algeria, features the comic trio composed of Rouiched, Mohamed Touri and Sid Ali Fernandel, accompanied by the orchestra of the master of the Algiers Chaâbi El Hadj M'hamed El Anka, the singer Fadhéla Dziria, Mustapha Skandrani on the piano. Some scenes were filmed at the Summer Palace (the current Palace of the Algerian Presidency, called the People's Palace). André Zwobada, the director, will play an important role after the independence of Algeria in 1962, in the production and preservation of the first Algerian newsreels.