Hernani Heffner

Remo Usai - Um Músico Para o Cinema

Filme Reverso

Aqui de Volta

Juliana works in a film archive. Busy with the restoration of the pieces, she copes with decay and the constants dilemmas that's involved in film preservation.

A documentary on the restoration of Rogério Sganzerla's 1970 film "Copacabana, Mon Amour".

Leni Riefenstahl - Vida e Obra

As a young archivist labours on the reassembly of a long-lost film print, her emotional life spirals into a tumultuous state that is mirrored in the degradation of the frames she so painstakingly works upon.

A short film that emulates the activities of early Brazilian filmmakers known as "cavadores".

From a screening of "Antes, o Verão" (1968) in the Cinematheque of the Museum of Modern Artes of Rio de Janeiro, in 2005, "Reencontro com o Cinema" follows the rediscovery of the life and works of filmmaker Gerson Tavares, who hadn't worked with cinema in 30 years.

Two years of research and visits to collections, cinematheques and museums; almost seventy interviews that generated 30 hours of recorded material; more than two hundred scanned photos and more than one hundred films watched. In total, more than a thousand hours of work were needed to prepare Brazilian Cinema in the 20th Century. The work is a fascinating journey through all the cinematic cycles that Brazil lived, from the pioneering Belle Époque, through the great studios like Atlântica and Cinédia, Cinema Novo, the urban comedies of the 70's, until the resumption in the late 90's. The documentary is unique, it gives the floor to who really wrote and lived this story intensely.

Experimental movie about Rio de Janeiro's Museum of Modern Art's Movie Archive (Cinemateca).

Reminiscences (1909-26), family film by Ouro Preto filmmaker Aristides Junqueira, collection of the MAM-Rio Cinematheque and Brazilian Cinemateca, is unveiled in his stories and points of view in the form of a filmic essay with archive footage, family scenes, interviews and voiceover to tell the unknown biography of a Brazilian film pioneer.

Searching and digging through the different resolutions that composes Brazilian cinema.

A reflection on the works and thinking of the last years of production by Torquato. Such as the magazine "Navilouca", the film "Terror da Vermelha", the column "Geleia Geral" and the controversial Cinema Novo X Marginal, among other passages important aspects of Brazilian culture in the 60s and 70s.

Onde os Mortos Não Têm Vez

Luíza documents the relocation of the collection of film documents at the Cinemateca do MAM (RJ). However, things start to get strange when the staff show mysterious behaviour.