Copacabana, Mon Amour: A Restauração

Fulano de Tal

Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.

The story of Ayahuasca, from its emergence in the Amazonian Forest, to its popularity with the Santo Daime religion, and on to its arrival in urban centres. Combining scientific, religious and anthropological perspectives on the use of Ayahuasca in modern society, and in parallel with the director own healing process, for the first time, a holistic, yet balanced view of this controversial subject.

A film-truth document. It presents the life of Luis, a man who wanders the streets of the city, going to and from work, contemplating the windows of a world he can never have and that invite him to consume, to dream.

Filmed over a period of 3 years, this video work is a meditation on the borderline of the river Tejo, between Marvila and Barreiro. A psychogeographic piece that seeks out a feeling of doubt, inertia, and waiting. "Two sides, along the boundary line All the weight of the water above Metal arms extended to the heavens As if the sky was tilting to meet them And those giants again; Four by four . . . . all in a line, up against the tide."

A short film made from photos of Boca do Lixo, a bohemian and marginal neighborhood, and its people.

A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals. Semi-finalist – Serbest International Film Festival (SIFF), 2025

Berço Esplêndido

After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.

Keyla the police officer and the unprepared detective Claudio could not be more incompatible. However they are forced to form a duo to solve the series of mysterious murders that are happening in the quiet city of Joinlândia.

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

MEDÉIA

Não matei ninguém e mesmo assim fui ao Cinema

A priest captures and arrests a vampire. He visits him for a regime of scientific experiments and strangeness. Over time the encounters become a hallucinated erotic and supernatural relationship.

Sobering look at how Hitler and the Nazi party manipulated laws to further their hate-filled agenda. People who were considered physically or racially inferior or disloyal to the state were deprived of their rights and often their lives under these Nazi laws. When Germany was ultimately defeated, Nazi leaders were charged with crimes against humanity in the Nuremberg Trials, in an attempt by the world community to restore the rule of law.

The cast and crew talk about the look and feel of the film Possessor.

Girls' Generation's Romantic Fantasy was a 2013 New Year's Day comeback special broadcast on MBC on 1 January 2013, starring South Korean girl group Girls' Generation. The special follows the group in preparation of their fourth Korean-language album I Got A Boy, released on the same day, along with an accompanying live concert featuring songs from the album, the group's previous hits, and solo performances from members.

The cast and crew talk about the core themes of the film and the seeds of the film.

Power and Paranoia of the Third Reich