Aury Porto

Junior, as he’s known, since he’s essentially still a child, seems to be having a tough time getting on in life. He shares cheap lodgings with another fellow and earns money doing strenuous night shifts at a warehouse. It’s no surprise that he lives for football and desperately hangs onto the dream of perhaps every Brazilian kid – to become a famous player. Although he trains hard with his amateur team, he’s not one of the best. He won’t admit to the mounting jealousy he feels as he watches his talented friend doing extremely well on the pitch. What’s more, his prospects don’t look so rosy now that his young girlfriend Carine is pregnant, and he also has to deal with her dominant mother poking her nose in...

A detective is hired by a mysterious woman to find her missing husband, a master of disguises, and important industry executive.

Homens com Cheiro de Flor

A documentarist is convinced by her son to travel to Brazil's Northeast so she can throw his dad ashes at São Francisco river.

From 2000 to 2007, Teat(r)o Oficina Uzyna Uzona worked on the staging of Euclides da Cunha's epic book, Os Sertões, which describes the 19th Century War of Canudos in the Brazilian "sertão"(backlands). The result was the pentalogy of plays: A Terra (2002), O Homem I (2003), O Homem II (2003), A Luta I (2005), and A Luta II (2006). This first play is a carnival opera, the actors are the earth, the vegetation, the wind, the animals, the rivers, the drought. It reveals the most intimate secrets of nature, that also vibrate in the human and trans-human arteries. This work enriched by the experience that the subsequent works brought gains an updated insight into the human interference in the environment. Destructive power is proportional to financial power, and the discussion about the way space gets occupied was brought to the forefront, including the real-estate boom that surrounds today not only Teatro Oficina, but the whole world, now hotter and more arid.

Ten stories or one. Ten moments in the timeline: 1972, 1999, 1550, 2083, 1891, 2012, 1618 – and the same reality: violence giving the final face to relations in brazil. a slave revolt on a coffee plantation, the torture of an indian, the kidnapping of an ambassador, jews hiding from the inquisition, a tortured woman who sees her torturer in the audience to which she tells the crime committed by him, father and son talking during the second war, a widow who lost everything in “ensiling crisis” and is forced to marry and lose her freedom.

Agreste

A Guarani girl begins to question her place in the world.

A group of women gets together on social media to expose the sexual harassment they all suffered from a renowned specialist in reproductive medicine. The saga of perseverance and courage of these women begins when one of them decides to talk and reveal what was until then confined by the doctor’s office walls.

Colônia

Determined to bring a Zika vaccine to the remote Pantanal, three doctors clash with a faith healer and are pulled deeper into the mysteries of his cult.

Donatela and Flora, two friends who became rivals. One of them committed a homicide and pretends to be innocent. There are two versions for the same story. Who, after all, is telling the truth? Donatela or Flora?