Christine Oesterlein

In 1999, a woman's life is forever changed after she survives a car crash with two bank robbers, who enlist her help to take the money to a drop in Paris. On the way, she runs into another fugitive from the law — an American doctor on the run from the CIA. They want to confiscate his father's invention – a device which allows anyone to record their dreams and visions.

Olivia

Die Teufelsspur

Familientreffen

Paul Esbeck

Johann Wolfgang von Goethe: Faust I

Das Rendezvous

Der Graue

Jim Valentines großer Coup

Die Farbe der Seele

A look at the lives of 19th-century composers Clara and Robert Schumann.

Im bayerischen Stil

Der gelbe Pullover

Der Sündenbock

Getting a Life

Die Putzfraueninsel

Die Frau des Fotografen oder Die große Liebe

Nachtfahrt

German people having trouble with love and identity.

Die Sommerfrische

In the winter of 1977 Schaubühne staged texts from Hölderlin's "Hyperion" in the Olympic Stadium in Berlin, associating with historical, political events and terrorism of recent times.

After serving five years Willi soon learns that his new life is another kind of prison since no one trusts an ex-convict. His uphill struggle for a job and shattered hopes of a normal existence grind him down to utter despair.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.