Weller Martin and Fonsia Dorsey, two elderly residents at a nursing home for senior citizens, strike up an acquaintance. Neither seems to have any other friends, and they start to enjoy each other's company. Weller offers to teach Fonsia how to play gin rummy, and they begin playing a series of games that Fonsia always wins. Weller's inability to win a single hand becomes increasingly frustrating to him, while Fonsia becomes increasingly confident. While playing their games of gin, they engage in lengthy conversations about their families and their lives in the outside world. Gradually, each conversation becomes a battle, much like the ongoing gin games, as each player tries to expose the other's weaknesses, to belittle the other's life, and to humiliate the other thoroughly.
Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".
La Cerisaie
Luca Cupiello, like every Christmas, prepares the crib, amid the disinterest of his wife Concetta and his son Tommasino. Ninuccia, the other daughter, writes a letter to her husband in which she communicates that she leaves him for her lover. The letter happens in the hands of Luca who hands it over to his son-in-law, who thus learns of his wife's betrayal. During lunch on Christmas Eve, the two rivals, who were confronted by Luca's carelessness, clash violently.
A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.
Broadcast live on the Hallmark Hall of Fame series on NBC, a pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.
A struggling actress is cast in her last off (off) Broadway show - a modern take on “A Christmas Carol” - before giving up her dream and moving home. Instead, she finds romance with her director and a renewed passion for her craft and the city. But when the historic theater loses its lease and the show is set to fold, she and her cast mates are need of a Christmas miracle.
A comedy musical stage version of the Phantom of the Opera, filmed live on-stage during a performance in Florida.
In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.
A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.
The tale begins when a brother and sister are separated in a shipwreck, but survive to be washed up on the shore of Illyria. The sister, Viola, disguises herself as a man and takes service with Duke Orsino, who has fallen in love with Lady Olivia. Entrusted with pleading on her master's behalf, Viola is utterly disconcerted to find that Olivia has fallen in love with her. Thus begins the confusion of this delightful comedy.
High school senior Tara is so painfully shy that she dreads speaking to anyone in the hallways or getting called on in class. But in the privacy of her bedroom with her iPod in hand, she rocks out -- doing mock broadcasts for Miami's hottest FM radio station, which happens to be owned by her stepfather. When a slot opens up at The SLAM, Tara surprises herself by blossoming behind the mike into confident, "Radio Rebel" -- and to everyone's shock, she's a hit!
Mise-en-scène, at the Comédie-Française, of La Vie de Galilée by Bertolt Brecht. This is the last staging by Antoine Vitez.
Comedian Jim Norton tackles the twisted state of the 21st century, including how modern technology affects everything from free speech to hooking up.
An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.
There are incredible things on the South Sea island of Titiwu: Professor Habakuk Tibatong has taught some animals to speak. For example, the pig lady Wutz, the quirky shoebill Schusch, the lively penguin Ping and the monitor lizard Wawa. On the rocky reef, the sea fan is always singing his "traurägän Lädär", and then there is the orphan Tim Tintenklecks. Everyone lives in peace and tranquillity - until the Urmel appears ...
The elderly Arnolphe has decided to marry a young woman, Agnes, whom he has fallen in love with. She is too young and innocent to realize what plans he has for her. But Agnes and Arnolphe's young friend, the dandy Horace, have fallen in love with each other. Their love is a threat to Arnolphe's attempt at getting married. Can the cunning Arnolphe stop them?
A young man, Bert Cates, is arrested in a small Bible Belt town for teaching the theory of Evolution in the public school. Two of the finest legal minds in the U.S. are called to the trial: Henry Drummond for the defense, and Matthew Harrison Brady for the prosecution. The trial proceeds on three levels, the guilt or innocence of Cates, the issue of the Bible vs. Darwin, and finally, the personal confrontation between Drummond and Brady.
Filmed version of the hit Broadway show with two of the original stars. Set in the backyard of a blue collar South Philadelphia neighborhood early in the summer of 1973, the comedy-drama focuses on the 21st birthday celebration of Harvard student Francis Geminiani. In attendance are his divorced blue collar father Fran and Fran's widowed girlfriend Lucille, next-door neighbor Bunny Weinberger and her overweight son Herschel, and Francis' classmates, the wealthy WASP Hastings siblings; Judith (who seeks romance with Francis) and Randy (the object of Francis' unexpressed affection), who have arrived unexpectedly, much to their friend's dismay. All are dysfunctional to varying degrees, and the interactions among them provide the play with its comic and dramatic moments.
A perceptive and funny study about the fantasies, inhibitions and dreams of two frustrated and lonely middle-class matrons who set up competing lemonade stands along a jammed highway. This short play incorporates comedy and tragedy, a touch of the bizarre, and ultimately, a sincere compassion in both women.