Johann Wolfgang von Goethe: Faust I

On the shores of Aulis, the Greeks prepare to attack Troy. But their ships are unable to set sail because the gods are holding back the winds necessary for departure. Agamemnon consults the oracle. The solution is tragic. To appease the goddess Artemis, whom he had offended, he must sacrifice his own daughter.

A staging of Florian Zeller's play "The Father" by Ladislas Chollat.

Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

A filmed adaptation of Rose Leiman Goldemberg’s play, based on Sylvia Plath’s intense correspondence with her mother Aurelia, from the time the poet was in university until her suicide. Delphine Seyrig and her niece Coralie Seyrig recite Sylvia and Aurelia’s letters to the audience directly.

A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.

Woyzeck takes psychotropic drugs and punishes himself physically. He has no choice. It's his living. With what he earns selling his body and by working in a restaurant and in subway tunnels, he just about makes ends meet. Coming home to his wife Marie and his infant child, he’s an impotent wreck -- and definitely unable to afford the earrings he sees Marie wearing one day. She’s frustrated and the jewelry is a gift from the local pimp. Woyzeck wasn't supposed to find out. But he has. Plagued by voices, he loses his already weak grip on reality. He retreats into the tunnels with Marie and the baby. There Woyzeck is the master of life and death.

Members of an otherwise typical New York Brooklyn family are "tortured" by a kind of hereditary madness. In the meantime, the adopted nephew Mortimer tries to do everything to protect his two aunts, who indulge in a variety of dangerous acts, such as poisoning lonely and homeless elderly people, and burying them in the basement of their house. When another niece, Jonathan, arrives, the situation will spiral out of control. The play was released on DVD by Radiotileorasi magazine in December 2010 (78th DVD of the "ERT Cultural Film Archive" series).

The elderly Arnolphe has decided to marry a young woman, Agnes, whom he has fallen in love with. She is too young and innocent to realize what plans he has for her. But Agnes and Arnolphe's young friend, the dandy Horace, have fallen in love with each other. Their love is a threat to Arnolphe's attempt at getting married. Can the cunning Arnolphe stop them?

Mise-en-scène, at the Comédie-Française, of La Vie de Galilée by Bertolt Brecht. This is the last staging by Antoine Vitez.

A shrewd ex-prisoner runs a successful antique shop -- until his assistant discovers the collectibles are stolen goods and begins blackmailing him.

A young man, Bert Cates, is arrested in a small Bible Belt town for teaching the theory of Evolution in the public school. Two of the finest legal minds in the U.S. are called to the trial: Henry Drummond for the defense, and Matthew Harrison Brady for the prosecution. The trial proceeds on three levels, the guilt or innocence of Cates, the issue of the Bible vs. Darwin, and finally, the personal confrontation between Drummond and Brady.

Pierre and Aline, in their fifties, decide to take advantage of their guest house one last time by inviting friends. It's the turn of Max, Pierre's childhood friend, and his wife Charlotte to be invited. The week promises to be beautiful, between the Avignon Festival and good food and drink. But how can we keep these childhood friendships alive, when the life paths of each of them have diverged over time.

A screenwriter gets conned out of selling a script to a Hollywood producer by his brother, who pitches his own idea for a movie. This video recording of the 1982 Steppenwolf Theatre Company production was later broadcast by PBS.

Filmed version of the hit Broadway show with two of the original stars. Set in the backyard of a blue collar South Philadelphia neighborhood early in the summer of 1973, the comedy-drama focuses on the 21st birthday celebration of Harvard student Francis Geminiani. In attendance are his divorced blue collar father Fran and Fran's widowed girlfriend Lucille, next-door neighbor Bunny Weinberger and her overweight son Herschel, and Francis' classmates, the wealthy WASP Hastings siblings; Judith (who seeks romance with Francis) and Randy (the object of Francis' unexpressed affection), who have arrived unexpectedly, much to their friend's dismay. All are dysfunctional to varying degrees, and the interactions among them provide the play with its comic and dramatic moments.

A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.

La Cerisaie

Tío Vania

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.

The Best of Aldo Giovanni e Giacomo