William Schallert

Los Angeles, California, U.S.

Biography

William Joseph Schallert (July 6, 1922 – May 8, 2016, Height 6 feet 1 inch [1.85 meters]) was an American character actor who appeared in dozens of television shows and films over a career spanning more than 60 years. He is known for his roles on Richard Diamond, Private Detective (1957–1959), Death Valley Days (1955–1962), and The Patty Duke Show (1963–1966). Schallert was born in Los Angeles, California, the son of Edwin Francis Schallert, a longtime drama critic for the Los Angeles Times, and Elza Emily Schallert (née Baumgarten), a magazine writer and radio host. He began acting while a student at the University of California, Los Angeles (UCLA) but left to become an Army Air Corps fighter pilot in World War II. He returned to UCLA after the war and graduated in 1946. After graduating from UCLA, Schallert began his acting career in the theater. He appeared in several productions at the Circle Theatre in Los Angeles, including a staging of W. Somerset Maugham's Rain in 1948, which was directed by Charlie Chaplin. Schallert made his television debut in 1951, and he quickly became a familiar face on the small screen. He appeared in numerous guest roles on shows such as The Adventures of Superman, The Twilight Zone, and The Dick Van Dyke Show. He also had recurring roles on The Patty Duke Show, The Nancy Drew Mysteries, and The Torkelsons. In addition to his work on television, Schallert also appeared in several films, including The Bridges of Toko-Ri (1954), The Apartment (1960), and The Sting (1973). Schallert died in Pacific Palisades, California, in 2016, at the age of 93. He was survived by his wife, Leah Waggner, and their four children.

Movies

The Andy Griffith Show is an American sitcom first televised on CBS between October 3, 1960 and April 1, 1968. Andy Griffith portrays the widowed sheriff of the fictional small community of Mayberry, North Carolina. His life is complicated by an inept, but well-meaning deputy, Barney Fife, a spinster aunt and housekeeper, Aunt Bee, and a precocious young son, Opie. Local ne'er-do-wells, bumbling pals, and temperamental girlfriends further complicate his life. Andy Griffith stated in a Today Show interview, with respect to the time period of the show: "Well, though we never said it, and though it was shot in the '60s, it had a feeling of the '30s. It was when we were doing it, of a time gone by." The series never placed lower than seventh in the Nielsen ratings and ended its final season at number one. It has been ranked by TV Guide as the 9th-best show in American television history. Though neither Griffith nor the show won awards during its eight-season run, series co-stars Knotts and Bavier accumulated a combined total of six Emmy Awards. The show, a semi-spin-off from an episode of The Danny Thomas Show titled "Danny Meets Andy Griffith", spawned its own spin-off series, Gomer Pyle, U.S.M.C., a sequel series, Mayberry R.F.D., and a reunion telemovie, Return to Mayberry. The show's enduring popularity has generated a good deal of show-related merchandise. Reruns currently air on TV Land, and the complete series is available on DVD. All eight seasons are also now available by streaming video services such as Netflix.

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The Andy Griffith Show
1960

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955