Rolfe Sedan

New York City, New York, USA

Biography

From Wikipedia, the free encyclopedia Rolfe Sedan (January 20, 1896 – September 15, 1982) was an American character actor, best known for appearing in bit parts, often uncredited, usually portraying clerks, train conductors, postmen, cooks, waiters etc. He began his career in show business as a nightclub and vaudeville performer and began acting in East Coast theatre. Sedan debuted on Broadway in 1916 and appeared in his first motion picture for Metro Pictures Corporation in 1921. He became a prolific character actor and is probably best remembered by movie buffs as the hotel manager in Ninotchka (1939) starring Greta Garbo. Around the same time, he appeared in an uncredited role as the Emerald City's Balloon Ascensionist in The Wizard of Oz (1939). He returned to Broadway, performing in several different shows during the first half of the 1940s and in the 1950s began a sequence of guest roles in television series such as The Jack Benny Show. His most frequent TV work came from recurring roles as put-upon mail carriers (25 episodes as Mr. Beasley on The George Burns and Gracie Allen Show; 4 episodes as Mr. Briggs on The Addams Family). He was also seen as the train conductor in the film Young Frankenstein (1974). Rolfe Sedan remained active throughout a career that spanned more than six decades.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

More info
Matinee Theater
1955