Carnival Lady

Clown ou La Fin du Cirque

A magician in a carnival--who actually can read minds and levitate people and objects--works with a superintelligent chimp named Alex, who can also talk. The magician and the chimp soon become the stars of the carnival, drawing in big crowds. However, the wild-animal trainer, who has been displaced by the team as the carnival's top act, decides to kidnap Alex and sell him to a medical laboratory for experimentation, thereby getting rid of his competition.

To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground.

A criminal on the run hides in a circus and seeks to possess the daughter of the ringmaster at any cost.

Up-and-coming scientist Paul Benedict is betrayed by his mentor, the Baron Regnard, who not only steals discoveries but also his wife Marie. Benedict, reeling from his pain, joins a circus sideshow in order to become the most famous clown in France. He becomes infatuated with Consuelo, a showgirl, who has become the recipient of affections by the Baron.

A spirited young woman finds herself destitute and on the streets before joining a traveling carnival, where she meets a vagabond painter.

Ruriko's father is a well known scientist who's involved in secret research that even his family doesn't know about. Ever since he moved up to the research laboratory in Hokkaido, Ruriko hasn't heard from him. The only thing that reminded her of his warmth was the green music box that he’d left behind for her. She longed to reunite with her father. The little box played music that lifted her spirits, to a place where everything was perfect.

A jealous trapeze star decides he must eliminate his romantic rival.

Plauto, the clown, tells us the story of the Circo de las Alegrías. Doña Alegría, owner of the Circus is determined that her son Palevhi, maintain the classic line of the show, which begs for a complete renovation. During the last years, the Circus has been dragging like a dying man until the threat of bankruptcy and unemployment has led his workers to anguish. One night in September, Palevhi decides to inform the big family of the circus the final closure. Tears of frustration give way to the search for solutions.

It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.

When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.

A young man seems to be dreaming of a reality different from the business he is about to take over and the married life that goes with it; he is drawn to the spicy life of a queer vaudeville troupe performing in his village.

When Polly Fisher, a circus aerialist, is hurt while performing, she is taken to the house of a nearby minister, John Hartley. As she recuperates, they fall in love with each other and secretly marry. But when the truth leaks out , John's congregation rebels at having a circus woman as their minister's wife, and he is fired. Polly decides to leave John in hopes of giving back to him the calling that means so much to him. But fate steps in and rearranges all plans.

A former circus artist escapes from a mental hospital to rejoin his mother - the leader of a strange religious cult - and is forced to enact brutal murders in her name.

A duo of acrobats go onstage one last time, united under the spotlights even as their harmony backstage is broken.

The hard-working owner of a circus, Euríspides Chamorro (Eugenio Retes), goes to Santiago in search of his son, a medical student, but finds to his surprise that he has dropped out of school and no one knows his whereabouts. To make matters worse, one of his employees snatches the circus from him, starting an adventure to recover everything and to convince his son to become a doctor.

A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.

After Clown Teddy lost his son, he lost his gift for laughter. He opened a joke shop and lives above the shop. His landlady has had a foster son since birth, and Teddy decides to raise the child, who always believed that Teddy was his father. When the mother suddenly appears five years later and wants her son, Teddy decides to run away with the child and goes back onstage with his son. Will the family catch up with them, or will the mother never get her son back?

Director Karl Brown's 1938 circus drama stars Marjorie Main as a tough, fur-coat-wearing circus boss who raises her orphaned niece to be a trapeze star.

The amazing biography of legendary circus impresario and unparalleled showman, P.T. Barnum.