Romanni Villicaña

A girl strives to make cupcakes to ease her hunger.

In the surroundings of Military Camp 1, a young soldier is forced to interrogate a detained student, provoking him a crisis of conscience accompanied by the memory of the corpses he piled up hours before, following the 1968 Tlatelolco massacre.

Musical drama about two teenagers. A story about love and accepting who you are and what the complexity of human relationships represents in a society where tabooes about sexuality and how relationships change constantly.

Pepe.Co

A difficult love story between a ghost and a young girl.

In the midst of a climate of political repression, Ernesto is a student who believes that the "revolution" will only begin if there is a martyr for the cause; Isaac, his best friend and his student leader, seems like the ideal candidate.

Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.

Manuel is 23 years old, he is independent and his only company is his pitbull dog. One morning he meets Margarita, a woman twice his age and with whom he sleeps in a nearby motel, receiving the first anilingus of his life. Confused between pleasure and fear, Manuel reflects on his prejudices, his masculinity and his identity.

Jhony passes the summer with his older brother, who wastes his time along his friends, obsessed with alcohol, pornography and the different women he takes into his mother's bedroom. One day, a girl named Misha arrives at the neighborhood, fracturing their monotony. Nobody knows anything about her, except that they call her Misha because of her green eyes, like those of cats.

PUTREFIXION: A Video of Nina Temich is the first feature to be entirely filmed on a 360 camera. Director David Torres utilizes the disorienting nature of a 360 lens to transform Mexico City, accentuate the ritual of dance, and open a new chapter of in-world-camera narratives. As Nina, model and dancer Dalia Xiuhcoatl controls the space and movement of the camera, giving this portrait of a young woman's brush with the supernatural a mesmerizing feminine energy.

Veronica, a woman fed up with the routine of her life, runs away from the van in which she is traveling with her husband. Marcela, a taxi driver, will help her escape from it. Together, they will travel through Mexico City, sing at the top of their lungs, cry, count planes in the sky and become friends for an afternoon.

Daniel has to go. He can't tell nothing to anybody but he needs to be helped. Just a little cash and he can go for never coming back.