Maryna Koshkina

During the 13th century, a small village fights for freedom in the frontier landscape of the Carpathian Mountains against Mongolian invaders.

The plot revolves around the controversial relationship between maid Stefania Chornenko and blueblood Adelia Anger against the backdrop of the provincial Austro-Hungary in 1900. Both Stefania’s parents and Adelia’s mother died during the fire. Adelia’s father adopted neighbors’ orphan. Girls grew up together to become as close as sisters, though Stefania served as the maid. This attachment develops into love-trap: on one hand full of mutual manipulation and jealousy, but equally based on сare and devotion. The illusion of balance is broken when Adelia marries sculptor Petro. Everything gets even more complicated when Joseph, the old love interest of Stefa, returns to town as the priest and married man. Illusions are destined to evaporate and reality comes into focus.

Nina, 30, a Ukrainian language teacher who can't leave the city of Luhansk, occupied by separatists in Eastern Ukraine, is forced to undergo retraining courses for teaching Russian. Andrii, 17, is a student who was orphaned in the aftermath of the war. They cross paths when Nina witnesses Andrii being arrested by the police after hanging the Ukrainian flag from the roof of his school. Nina knows that because they live in a world of injustice and lies Andrii can stay in jail for a long time, and she risks her life to free him. As they gravitate towards each other, they try to remind people in the occupied territories that they deserve a future, too.

Young MMA fighter Yuliya has lost her boyfriend in the war in eastern Ukraine. She starts a new relationship to make her life move forward.

The film describes the story that takes place among the prisoners in the camp, who are secretly praying and being bullied by the guards. At the same time, the screen shows the lives of believers who, while remaining in the Vinnytsia region, continue their quiet struggle for the faith. The film is based on real events.

Kharkiv, the 1930s. The heyday of Ukrainian art. Ambitious young poet Vladimir Akimov happily settles in at the new luxury "Slovo" House built specifically for artists. He comes from the provinces and works as a proof-reader in a printing press, and has never even dreamed of living under one roof with prominent Ukrainian writers and artists. He thinks his own poetry is genius, but nobody takes his literary efforts seriously, not to mention the occasional chuckles over his epigone poems. But fate smiles at him. The head of the political intelligence agency suggests that he become the author of a play written earlier. Akimov agrees, signing a non- disclosure note. The poet has no idea what price he will pay for this success. “‘Slovo’ House” is a story about a generation of Ukrainian artists persecuted by the totalitarian system, unfolding against the backdrop of one of the largest genocides of the 20th century: the Holodomor, which caused the death of almost 7 million people.

Mykola is an eccentric pacifist who wants to be useful to humanity. When the war begins at Donbass, Mykola’s naive world is collapsing as the militants kill his pregnant wife and burn his home to the ground. Recovered, he makes a cardinal decision and gets enlisted in a sniper company. Having met his wife’s killers, he emotionally breaks down and arranges “sniper terror” for the enemy. He’s saved from a senseless death by his instructor who himself gets mortally wounded. The death of a friend leaves a “scar” and Mykola is ready to sacrifice his life.

What stands behind the Black Square, painted in 1915 by the obsessive artist Kazymyr Malevych? For his competitors, a fraud, for the Soviet regime, a secret code, for one woman, a love letter, for the people of Ukraine – a prophecy…

Anthology film about the war in Ukraine, with animals as the main heroes. Recognized Ukrainian and foreign directors will tell insightful stories based on real events and show the trials that animals in Ukraine have to endure during war. Unlike us, animals don't have to take a test of humanity and they don't have political preferences, but they can clearly distinguish between good and evil.

July 23, 2018. An important date for ex-FEMEN leader Oxana Chatchko - the opening of her exhibition of blasphemous icons. So begins a day of wandering across Paris. Amidst encounters with lovers and an art critic, and an appointment to confirm her political refugee status, memories of her past as a feminist activist, and the traumas and betrayals suffered during her fight, resurface. Can she reawaken her desire to live?