Jan and Maria meet at a party and are immediately drawn to each other. Their difficult financial situation and the scorn of society inflicted on them push them to a breaking point, culminating in a string of murders.
The heroine lives in Kyiv in the present and sees dreams with the recurring motif that takes place eighty years ago. In these dreams, she searches for her home and waits for her beloved husband. The dreams are permeated with fear and the foreboding of a war that could leave her without a husband and home. The film was conceived as a psychoanalytical visual essay on how a subject who has experienced loss tries to assemble themselves from splinters: fragments of memories, dreams, bodily sensations - to find this new self-image 'on the other side of the mirror' after the Other has disappeared.
While parents, people of traditional rural values, are cooking blood sausage for the visit of daughter-in-law, Andriy, their son, tries to communicate the fact his fiancee is Jewish.
When Mostafa arrives to Ukraine, he witnesses the kidnapping of an Egyptian scientist. Eventually he gets involved in rescuing him, in a country he knows nothing about.
An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?
Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.
Young MMA fighter Yuliya has lost her boyfriend in the war in eastern Ukraine. She starts a new relationship to make her life move forward.
Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.
A slightly sinister but charming young man falls in with a young mother and daughter and her boyfriend on a camping holiday and leads them astray.
In 1890, in one of the villages of Ukrainian Polissia, a man died under mysterious circumstances. The locals blamed his wife, a young healer, and banished her from the village. When affliction came to the village, people believed they had been cursed by the castaway woman. They discovered she was living in the forest, found her and burned her alive as a witch. But before doing it, they sent a priest to have a final conversation with her.
The new reality changes the usual life in the village of Babylon. Attempts to communize the small town are met with resistance from the rich people living in the town. The Red Army finally puts down the resistance. Amidst the resistance philosopher Fabian returns to Babylon and tries to prevent bloodshed, but he meets a tragic fate.
A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.
In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.
Barbed Wire
Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.
An officer stationed in a remote Ukranian outpost at the end of the First World War is dying of consumption. Suffering from feverish dreams and hallucinations, he begins to collect religious art and attends seances.
Survivors tell the story of the Babyn Yar massacre from WWII, where some 100,000 people were massacred by German forces.
A taxi driver decides to take part in a robbery to earn money for the treatment of his sick wife.
A revealing and moving portrait of lives compromised by war, filmed exclusively by Ukrainian soldiers with extraordinary access to a tightly-controlled frontline.
A grand and patriotic tale of Poland's struggle for freedom just before Napoleon's war with Russia. Written in poetic style by Adam Mickiewicz, this story follows two feuding Polish families as they overcome their old conflicts and petty lives. However, they are able to unite as one with their patriotic and rebellious efforts to free the country they deeply love from Russian control.