Two Sisters

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

A nurse from Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life...

Romance brings two warring families together in this historical drama. As citizens fight for independence in 1810s Lithuania, Tadeusz, the son of a murderer, and Zosia, a young woman, come together for a wedding against a backdrop of changing politics, ancient traditions, and the uncertain future of a country.

When two sisters, Mia and Maya, encounter a mysterious box in the middle of the forest, they unintentionally release multiple monsters trapped inside. Together, they must capture all the monsters and place them back in the box and overcome the challenges they face along the journey.

A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.

Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

Mykola is an eccentric pacifist who wants to be useful to humanity. When the war begins in Donbas, Mykola’s naive world is collapsing as the militants kill his pregnant wife and burn his home to the ground. Recovered, he makes a cardinal decision and gets enlisted in a sniper company. Having met his wife’s killers, he emotionally breaks down and arranges “sniper terror” for the enemy.

In January 2025, experimental jazz duo Myshko Birchenko and Yevhen Puhachov, members of Hyphen Dash, travelled to Kramatorsk without any pre-made drafts or demo recordings to use music as a vessel to capture the emotions present in a place on the edge of a battle for survival and explore the therapeutic nature of music and improvisation in the brutal reality of war. They packed all the equipment into a car, drove 700 kilometres from Kyiv to the frontline city Kramatorsk, and turned one of many basements which serve as shelters into a makeshift recording studio. As a result, they recorded over 300 minutes of music, which were eventually distilled into a 90-minute album.

The film tells the story of the events in Western Ukraine before the outbreak of World War II, the rise of Soviet rule, changes in borders, and the disappearance of entire states from the world map. The film is based on archival documents, materials and memoirs of witnesses, representatives of the Ukrainian, Polish and Jewish peoples of pre-war Galicia.

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.

After successfully trapping all the monsters back in the box, Maya is sent to the underworld whilst Mia is visited by two hunters, Thorn and Burt, who have been watching the sisters all this time. Maya faces her past as she must reunite with the monsters to escape Mythos. Unbeknownst to her, Mia journeys through Mythos to warn the monsters about the hunters' true intentions.

A slightly sinister but charming young man falls in with a young mother and daughter and her boyfriend on a camping holiday and leads them astray.

Three stories of immigrants trying to start new lives in Poland: an Afghan traumatised by the war, a Ukrainian lost in her own body, and a Belarusian running away from painful love.

While parents, people of traditional rural values, are cooking blood sausage for the visit of daughter-in-law, Andriy, their son, tries to communicate the fact his fiancee is Jewish.

Sven arrives in nowadays Auschwitz to do his civil service at the memorial. He encounters unfriendliness, especially by Stanislaw Krzeminski, the 85 year old KZ-survivor, and Krzysztof Lanuszewski, brother of his early love affair Ania. Even his boss Herold, the places manager, does little to help Sven familiarize. But when problems accumulate Sven realises that he already has become involved.

Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.

After spending months as a prisoner in Donbas, Ukrainian aerial reconnaissance expert Lilia returns home to her family. But the trauma of captivity continues to torment her and surface in dreamlike ways. Something growing deep within Lilia will not allow her to forget, yet she refuses to identify as a victim and will fight to liberate herself.

As Tania leaves her hometown, she must confront what her absence will mean in the search for her disappeared father.

In 2006 Santiago, 16-year-old Antonia defies her single mother in search of her absentee father, hoping to secure permission for a school trip to Argentina. Along the way, she reconnects with a half-sister she never knew and ultimately learns that her mother’s love may be the only anchor she needs.