Alisa Torres

When a group of friends come across an abandoned house in the barren desert, what follows is a terrifying tale of evil possession causing the friends to slowly turn against each other.

In an anachronistic dystopian landscape, a beleaguered young man attempts to navigate his way through the indie film scene in LA.

After witnessing a murder in the gritty streets of 1950s Manhattan, newlyweds Suze and Arthur become the dangerous obsession of a greaser gang that awakens a sleeping quandary into the couple's sexual identity.

In a nightclub, reminiscent of a 1980s photo-novel, a band is playing requests. The texts play with pop clichés about life and true love. Until a dissatisfied customer can’t take it anymore and reveals the universal truth.

As Cooper Barrett struggles to survive each of life’s many challenges, he guides us through the often-messy, always-hilarious ordeal, so that our lives don’t have to be nearly the entertaining disaster that Cooper’s is turning out to be.

Perhaps their strikingly different personalities make the relationship between detective Jane Rizzoli and medical examiner Maura Isles so effective. Jane, the only female cop in Boston's homicide division, is tough, relentless and rarely lets her guard down, while the impeccably dressed Maura displays a sometimes icy temperament — she is, after all, more comfortable among the dead than the living. Together, the best friends have forged a quirky and supportive relationship; they drop the protective shield in each other's company, and combine their expertise to solve Boston's most complex cases.