Ryuji Kazuki

Watari and his ninja friends continue their battles against evil people in long ago Japan.

照る日くもる日

Lord Gennosuke and Princess Yoshi are to be betrothed to one another, however Gennosuke is already in love with Suzue who is from a lower caste. The order has been sent from up on high that if Gennosuke won't change his mind then Suzue must be dealt with one way or another. When spearmaster, Fuwa Mondo, a Ronin and all around happy guy stumbles into the plot, things get a little hokey-pokey.

A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances—especially child actor Motoharu Ueki—add to the emotional power.

Genjiro was a samurai in the past, but he became a Yakuza, a dandy with a tattoo of red peonies, he helps his younger brother who is caught up in a conflict with Hatamoto.