Red peonies on the skin

Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.

Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

Official Shogunate executioner Ogami Itto has been framed for disloyalty to the Shogunate by the Yagyu clan, against whom he now is waging a one-man war, along with his infant son, Daigoro.

Ogami Itto volunteers to be tortured by Yakuza in order to save a prostitute and is hired by their leader to kill an evil chamberlain.

With most of his family already dead at Ogami Itto's hands, Retsudo launches one final plot to destroy him, and when that fails, unleashes the fury of every remaining member of the Yagyu clan.

Against the backdrop of the Edo treasury devaluing currency and driving many into poverty, Hanzo Itami enforces the law without regard to status. He shows inadequate respect to the treasurer, who wants him dead.

Hanzo extracts a confession from a ghost using his assaulting methods, foils thieves, connects with Heisuke Takei a friend from his youth, offers protection to a forward-thinking physician Genan Sugino who has defamed his ruler, discovers a pleasure ring of young wives and a blind music teacher, and cuckolds a corrupt official under his very nose.

Wishing to find peace, Zatoichi travels to his old village but only finds trouble when he ends up in a love triangle and finds old scores have followed him home.

After arriving in the town of Shimonita, Ichi finds that a price has been put on his head by a local yakuza boss. He's drawn into a trap, but after hearing of the slaying of a former love, Ichi furiously fights his way through the entire clan to face the killer, a hired ronin.

Zatoichi is sworn to protect the life of a young girl and without any real allies finds himself in the middle of a bloody turf war.

A jidaigeki film on Banzuiin Chōbei produced in 1940 and directed by Yasuki Chiba.

Takahashi Hideki stars as Muyonosuke, the one-eyed ronin who makes his living as a bounty hunter who is on a never-ending quest to find the man who murdered his father. The usually aloof Muyonosuke, who never would pause to help the common man winds up befriending an orphan boy and a mysterious woman, and getting involved in a feud between two families, but finds out there is a high power behind the curtain who pulls their strings.

Kakizaki Yuji’s period film is not like the jidaigeki films we are used to. While it deals with themes of seppuku, duty, and loyalty to one’s masters and the shogun, we see very little in terms of action. Instead, the film focuses on the inner thoughts and struggles of the protagonist—who is ordered to perform a ritual suicide—his wife, and their entire household, all leading up to the final moment.

Ichi is a blind entertainer that travels the countryside with her traditional Japanese guitar and walking stick. She’s in search for the kind man that brought her up as a child, but because of her beauty she encounters problems every step of the way. Fortunately for Ichi, she is also a gifted swordswoman and carries a lethal blade within her walking stick.

Ryunosuke, a gifted swordsman plying his trade during the turbulent final days of Shogunate rule, has no moral code and kills without remorse. It’s a way of life that leads to madness.

The story of Ryoma Sakamoto, considered to be the architect behind the downfall of the Tokugawa shogunate. He was considered an outlaw by his own clan, hunted by his government, and was despised by supporters of the Shogun as well as the Loyalists for desiring the opening of Japan to the West in order to learn its technology, in the hopes of one day defeating the West with a modern army and navy.

The news that the fifth Shogun Tsunayoshi was seriously ill caused a fierce struggle for the post of sixth shogun between the Mito faction and the faction of Chief Adviser Yanagisawa Yoshiyasu. Two mysterious love stories develop against the background of a violent conspiracy that arose because of a strange painting in the sand. And then the empty-headed ronin Morio Jushiro will flash his enchanted sword in this unique, thrilling story full of unexpected twists. Adapted from the novel "Sunae Jubaku: Asahishinbunsha" by Seji Hajime.

Momotaro carries this sword into battle against injustice in shogunate Japan. Aided by ninja he must now wage a furious battle against the terrible “Ran” clan, villains in league with Ohara Ukon, a bitter samurai nursing a grudge against the shogunate. Together the ruthless conspirators will threaten the foundations of shogunate rule over Japan. Only the relentless slashing sword of Momotaro may save the nation from the Ran clan's army of killers.

Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering around a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.

Japan's greatest jidaigeki star, Mifune Toshiro is Shogun's Advisor Okubo Hikozaemon who must be coaxed out of retirement to save Shogun Iemitsu from danger. The elderly Hikozaemon has been belittled of late and has seemingly lost the will to live, much less the desire to assert himself and make Iemitsu listen to reason. The plot thickens when a lovely young woman enters the picture. Can she change Hikozaemon's mind, and thus alter the path of Japanese history? No longer a young man, can Hikozaemon gain the shogun's ear, and succeed in warning him of the evil plot to overthrow him?