Guillermo Montesinos

After the death of his wife, Angel, a university professor and writer, he falls into a severe depression. He flees to his house in the country, but there the evil is accentuated, which leads him to an attempted suicide that Teresa, his young neighbor, saves him. Angel starts a relationship with her and her partner, Alberto. Soon he falls in love with Teresa and, through a passionate relationship, he frees himself from his torments. Teresa, Alberto and her theater group on stilts ask her to write a play to represent her in the town. Obsessed by Teresa, she is vivified with this experience with the young, but she soon moves away from him carnally. This rupture desperate and as Teresa disabuses him of any possibility of continuity, in the mind of Angel reappears suicide as the only solution

Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.

Teodoro, a Spanish engineer working as a professor in the United States, returns to Spain to enjoy a sabbatical year.

How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.

Enrique is a gym teacher who along with his sister want to start a musical career with the support of their grandfather, a great scientist who wants to stop an evil despot from getting an artifact that would endanger the entire world.

During the Spanish Civil War a platoon of mismatched Republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the local holiday of the nearby village. In addition to ruining the Nationalist faction's celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the process and have to go through a series of funny and pathetic incidents before they can get back to their side.

Remake of the tale of an acclaimed matador who finds himself involved with a beautiful woman, jeopardizing both his marriage and career.

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

Spain, 1982. Andrés Expósito, a young police inspector, accepts a posting in Denia, a small town on the Mediterranean coast, in the hope of leading a quieter life and that the natural environment will help improve the fragile health of his daughter; but once in his new post he becomes involved by chance in the investigation of the strange death of the inspector he has come to replace.

Sin tu latido

Following the events of El pico, the heroin-addicted Paco faces jail time due to his involvement in a double murder.

Amaya is a modern girl, independent, who runs an advertising gency. The business is doing well and is enmaorada of her boyfriend, a lawyer of lost causes somewhat confused. Its stable and happy life is shattered with the appearance of a famous movie star, party animal and womanizer.

A look at the Aragonese countryside, star of the movie screen, accompanied by various trades of cinema.

A film buff can't watch his videos in peace as he is disturbed by his clingy girlfriend and noisy neighbours. He will take drastic measures to get them to shut up for once and for all.

Tarancón, el quinto mandamiento

Amalia in the fall

In this Spanish comedy, a couple’s attempt to find a surrogate mother leads to a whirlwind of humorous situations and misunderstandings. Directed by Mariano Ozores, the film explores the unpredictable twists of family life and the lengths people go to fulfill their dreams.

A story of loves, abductions, sultans, eunuchs, dancers, pumpkins, children's cars, parades, barbarians, virgins ... All these elements are the pretext of a cinematographic spectacle, the motive of an authentic Mediterranean party, between the historical parody and the musical magazine.

Disparate nacional

Jet Marbella Set

Ana starts working as a Doctor in the S.T.I.U. (sexual transmission illnesses unit) at a Hospital. She begins meeting a lot of strange and bizarre characters there, while her jealous husband has to deal with it...

In the summer of 1977, a political prisoner, living in exile, recounts the circumstances of his escape to a journalist: in April 76, a group of ETA members planned to escape from prison, but the project fails when, due to a tip-off, the guards discover the tunnel they are digging. The inmates, far from being discouraged, start a second tunnel.

Amanece como puedas

Pablo and Fernando, owners of a children's book publishing company about to go bankrupt, have managed through unorthodox means to contract the country's best-selling author, Adela Mora. The evening of the official signing, Paco asks his friend to let him use his house for a love tryst while Fernando wines and dines Adela. At the same time, Paco's wife, Carmen, will be taking her lover to Rosa's house. From here on the rout begins, as Paco tries to get rid of Silvia, his secretary, and Carmen, her husband. Fernando thinks Rosa is cheating on him with Oscar, who thinks Fernando is gay and having an affair with his partner, while the soldier thinks his girlfriend is a professional...

The early days of the future genius of Spanish cinema Luis García Berlanga, from his birth in Valencia in 1921 to his departure to Madrid in 1947 to become a filmmaker.

Nono is a young schizophrenic who believes himself destined to stop the global arms race. He has always lived alone with his overwhelming mother, now he meets crazy Ramon.

The frustration and vital weariness of Michel des Assantes, a prestigious plastic surgeon in Paris, is unbearable: he has a wife whom he does not love, a son who is foreign to him and friends whom he despises but, at the same time, he is incapable of taking his own life. One day, he buys a bike from a bizarre cyclist who was to make the Paris-Timbuktu route and sets out to make the journey: then, Timbuktu becomes for him the Promised Land.

She wanted to be rich, to have lovers, to go to Barcelona: but Montserrateta had to make do with living in a village in the Pyrenees, with her boyfriend, and milking cows on her parents' farm, until one day, she finds a lottery ticket.

Bernabe (José Sacristán) works as an artistic director for a publicity firm but his avocation is fawning after his bosses, sleeping with whomever might advance his career, and ignoring his wife. Life continues on in this vein until he meets a young model whom he invites up to his boss's temporarily vacant country house, pretending the house belongs to him. Not very far away, bulldozers and other machinery are clearing the beautifully wooded area so construction can start on an amusement park. Little does Bernabe realize that his potential new conquest is a seriously fanatical environmental advocate, and she arrives at the house with friends, gets Bernabe high and "out of it," and then she and her friends proceed to trash the construction machinery. Once Bernabe comes around again, he finds out what has happened, loses heart for his planned sexual escapade, and begins to appreciate his wife for the first time.

Un negre amb un saxo

Simplicio is an eight years old boy who lives in an old boat abandoned and stranded on a coast.

Four kids get lost in the forest in the middle of a storm and go take refuge in an abandoned castle. There they will meet and face Dracula, the Werewolf, Quasimodo and Doctor Frankenstein. Despite the attempts of the monsters to scare them and, in passing, recover their lost prestige, the children, with the help of Count Dracula's son, will face the evil creatures.

J.R. has been shot in his sensitive parts. After spending a season in the hospital, and anxious for revenge, he returns to find the culprit. He is accompanied by a bodyguard that prevents the presence of women who could approach him, thus delaying his recovery.

Once upon a time there was an empire on which the sun never set. This empire had a court. That court had a king, but the king had no heir. The king, who understood that the coupling is the duty of state, gets married and he tries to have a child with exemplary dedication, but he didn't achieve his goal. The whole court, from the nobility to the clowns, gets down to work, sparing no means or methods to achieve the desired heir.

A Spanish "Dallas" parody.

Juana la Loca… de vez en cuando

Buscando a Perico

In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on

Ni se te ocurra... (dejar de verla)

Count Nado, is in love with Fénix, an intergalactic singer. Unable to achieve it with traditional methods, the evil Nado kidnaps the scientist Avelina to make a replica of the singer, creating Supernova.

Viva la vida

Simón, contamos contigo

Adapted from the novel by Juan Marse, the film shows two distant worlds in the Spain of the 50's, the suburban and the bourgeois, which are related through two characters, Manolo Reyes, vulgar motorcycle thief who aspires to escape poverty and Teresa Serrat, university student of bourgeois extraction seduced by the revolutionary cause.

A prison in Valencia hosts an event recognizing political prisoners jailed during Franco’s reign. The reunion proves more raucous than the organizers intended.

Rebobinando

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

After the death of Franco, the nostalgic fascist regime attempts to preserve the 1936's order.

Visanteta, estáte quieta

A young ex-seminarian named José is doing his military service in Córdoba. There he meets Carmen, a beautiful flamenco dancer who falls madly in love, to the point that he steals to get money for her, so he will be imprisoned. José does not support the separation and, when he is driven by the Civil Guard on a train, he runs off by jumping out the window. He then left for Madrid in search of Carmen, who now lives in the company of his uncle, the lame, master of dancers. The woman welcomes José coldly, although they engage in a strange and tense relationship behind the back of El Morao, her former pimp, who lives with her again.

Osa de la Vega, Cuenca, Spain, 1913. Gregorio and León, employees on the estate of the village's mayor, a powerful landowner, are arrested and accused of the murder of José María el Cepa, a shepherd who mysteriously disappeared three years earlier.

Ana is a middle aged woman who many years ago decided to start a new life in Paris. Now she must return to her hometown after the death of her parents, since they have left her an inheritance. There she meets Laura, her only sister, with whom she has to share the money received and, especially, an old house located in the center of Guadalajara. Now, the two women will have to leave the differences and problems behind that have arisen in the past to catch up and recover the fraternal relationship. Written by lament

Femenino singular

La última cena... del 88

Natalia, a successful painter, and Hugo, a writer in a creative rut, are going through a rough patch in their relationship. After Hugo moves out in an attempt to finish his novel, Natalia is determined to do whatever it takes to reunite with him.

La ceremonia del círculo

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Spanish miniseries.

'L'Alqueria Blanca’ ('The White Village') proposes a journey through time, up to the 1960s, which reflects the life of an inland village, in the Alcoià county. The atmosphere is eminently rural and is marked by the great differences between the two most representative families of the place, the Falcó and the Pedreguer, who star in a series of stories with love above the class difference, envy, jealousy and scandal. It all comes down to some unstoppable advances in society.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

La Comedia Musical Española

Página de Sucesos

Pedro, Luis, Raúl and Santi are four friends who feel a bit lost in the new world of empowered women, each trying to adjust in their own haphazard way.